DZIRUN=APRICOT BETWEEN THE BEGINNING/END OF THE RAINBOW=DZIRUN
No one can disagree that apricots lie close to an Armenian’s individual and collective - as in a pomegranate - soul. However no one has shown me a deep enough source or a good enough reason as to why it should be so.
Armenian NANE Wikipedia NA*NA NANAYA in Religion and mythology.
- Nana (Kushan goddess), a Bactrian war goddess
- Nana (Greek mythology), a Phrygian demigoddess and the mother of Attis
- Nanna (Norse deity), the wife of the god Baldre (Balder) in Norse mythology
- Nane (goddess), also found as Nana, the Armenian goddess of war, wisdom, and motherhood
- Sin (mythology), also found as Suen or called "Nanna, a Mesopotamian moon god
- Nanaya, a goddess worshipped by the Sumerians and Akkadians, associated with the sky and earth
- Jnana, also spelled ñana, the concept of ENLIGHTENMENT, knowledge in Hinduism and Buddhism
Nane (Armenian: Նանե, Nanė) was an Armenian mother goddess, as well as the goddess of war and wisdom. Nane was Aramazd's daughter. Nane it is said was adopted from the Akkadian goddess Nanaya, from the Phrygian goddess Cybele, thought most likely that all are of from Elamite origin.
Nane was depicted as a young beautiful woman in the clothing of a warrior, with spear and shield in hand, like the Greek Athena, with whom she identified in the Hellenic period. It is however known that in Ancient Armenia, it was traditional for Kings to meet with the oldest woman in their dynasty because she was often seen as the epitome of Nane. In Armenia and other countries around the world, the name Nane continues to be used not only as a personal name, but also as a nickname for the grandmother of the household. Nanna, Nani, Nannan, etc. I presume something like the granny, a nanny/Governess that provides child care within every home or community center, Governess over all the children of every family in a co-optic community.
In Greek mythology, Nana /ˈneɪnə/ (Greek: Νάνα) was a daughter of the Phrygian river-god Sangarius, identified with the river Sakarya located in present-day Turkey.
She became pregnant when an almond from an almond tree fell on her lap. The almond tree had sprung from the spot where the hermaphroditic Agdistis was castrated, becoming Cybele, the Mother of the Gods. NU*SH IS THE ALMOND IN ARMENIAN.
She became pregnant when an almond from an almond tree fell on her lap. The almond tree had sprung from the spot where the hermaphroditic Agdistis was castrated, becoming Cybele, the Mother of the Gods. NU*SH IS THE ALMOND IN ARMENIAN.
Nana abandoned the baby boy, who was tended by a he-goat. The baby, Attis, grew up to become Cybele's consort and lover.
Am'nor AM*NOR took place on March 21 and was what was called New Year. It was a celebration of Nane's father, the supreme God.
She has also been referred to as Hanea, Hanea, Babylonian Nana, Sumerian Nanai or Sumerian Nanai.[3]
THE MEANING OF THE ELEMENT NA OR THE ARMENIAN PHONEME NU IS A PREFIX THAT DEFINES the SACRED hierarchical PLACE WHERE consecrating or ordaining someone TAKES THEM. THE office/PLACE IN REALITY. NU IS THE APEX OF HIERARCHY.
NUNUFAR IS THE WHITE WATER LILY. AND NU*SH THE ALMOND,
NAR/NUR is the sacred LIGHT, REPRESENTED BY THE POMEGRANATE IN ARMENIAN.
Nar was a reference to the Armenian goddess of water, sea, and rain. AS DZOVI*NAR, She was said to be a fierce goddess, who forced rain to fall A PLENTY, WITH LIGHTNING TO SHOW her fury. The origin of the phoneme Nu or N is potentially from Sumerian An, the sky, heavens. Nar as Dzovinar is translated in the Greek Classical age as "daughter of the seas" Most relevent is that She is the wife of VAHAGN and the mother of twins named, Sanasar and or Baghdasar.
Am'nor AM*NOR took place on March 21 and was what was called New Year. It was a celebration of Nane's father, the supreme God.
She has also been referred to as Hanea, Hanea, Babylonian Nana, Sumerian Nanai or Sumerian Nanai.[3]
THE MEANING OF THE ELEMENT NA OR THE ARMENIAN PHONEME NU IS A PREFIX THAT DEFINES the SACRED hierarchical PLACE WHERE consecrating or ordaining someone TAKES THEM. THE office/PLACE IN REALITY. NU IS THE APEX OF HIERARCHY.
NUNUFAR IS THE WHITE WATER LILY. AND NU*SH THE ALMOND,
NAR/NUR is the sacred LIGHT, REPRESENTED BY THE POMEGRANATE IN ARMENIAN.
Nar was a reference to the Armenian goddess of water, sea, and rain. AS DZOVI*NAR, She was said to be a fierce goddess, who forced rain to fall A PLENTY, WITH LIGHTNING TO SHOW her fury. The origin of the phoneme Nu or N is potentially from Sumerian An, the sky, heavens. Nar as Dzovinar is translated in the Greek Classical age as "daughter of the seas" Most relevent is that She is the wife of VAHAGN and the mother of twins named, Sanasar and or Baghdasar.
Nar*od is the red or white cord/ribbon string used by the priest to make the bond at the marriage ceremony.
WHAT IF I CAN SHOW THAT THE ARMENIAN DZ PHONEME, REPRESENTS THE observed or imaginary LINE, BORDER, BOUNDARY, edge BETWEEN COMPLEMENTARY/CONTRADICTORY OPPOSITES in time and space. In other words there are two sides to a divide.
DZYDZAN = IRIS, RAINBOW, DZAR is Tree AND AN*DZAR IS THE 'COVER OF TREES' UNDER THE SUN. DA, representing THE phenomenon ESSENCE WOOD, representing its TRANS-FORMATIVE PRESENCE IN space, hardening in time. Wood the fifth element.
IRIS MAY REFER TO:
Iris (anatomy), part of the eye.
Iris (color), an ambiguous color term, usually referring to shades ranging from blue-violet to violet
Iris (insect), a genus of praying mantis
Iris (mythology), a Greek goddess
Iris (plant), a genus of flowering plants
I know for a fact that the phoneme, the consonant DZA is a fundamental element in the early formation of Armenian words. Key words like DZAM=CHEW to DZIDZ=SUCKLE to KIDZ=LINE TO VEDZ=SIX all make use of the meaning attached to DZ.
Central to this monograph is the use of the DZ phoneme as a prefix for the rainbow and as a suffix for the number six.
The Armenian language was structured, by the very ancient scribes. Dzir/Tir, the son of Hayg and I have to assume that there was a simple and sublime light behind their logic.This was a new and unique language coming out of the Sumerian school ready to go in 2494 B.C. The equation used by them to form new words for a new order. Why he chose the phoneme DZA, both within his name and as the name of rainbow. A rainbow, a meteorological phenomenon that is caused by reflection, refraction and dispersion of white light, a spectrum of light in the sky that takes the form of a multi colored circle or arc. Rainbows caused by sunlight always appear in the section of sky directly opposite the sun. The first manifestation, a 'dissolution' of natural white light.
DZIR*AN is the rainbow. DZ is the defining element represented in this word.
Ki*Dz in Armenian is the word that defines a 'line', the line that divides/connects two moments in time and two sides in space. Dz here defines a line and as I showed in previous blogs Ki is the life force, the phoneme that is generated to define and express the eternal presence in life. Ki is both the spark of life and the ghost of life.The Oxford English Dictionary entry for qi gives the etymology from Chinese qì as "air; breath", and as a definition of "The physical life-force. Energy. In traditional Chinese culture, qi is believed to be a vital force forming part of any living entity.
Sumerian Ki seems to have survived unchanged as Qi of the East and it always translates as Life to Air to Breath to "vapor" and only figuratively as "material energy", "life force", or "energy flow".
In Babylonian mythology, the cosmogony called Enûma Eliš, a text written between the 18th and 16th centuries BC, involves four gods that we might see as personified cosmic elements: sea, earth, sky, wind. In other Babylonian texts these phenomena are considered independent of their association with deities,[4] though they are not treated as the component elements of the universe, as later in Empedocles. The Armenians like the Chinese model appear to have had a somewhat different series of elements, namely Fire, Earth, Gold, Water and Wood. These were understood as different types of energy in a state of constant cyclical flow, interaction and flux with one another. The Chinese word xing literally means a "changing states of being", "permutations" or "metamorphoses of being". Nobody seems to agree on one single translation. The Armenian concept of 'natural life forces', like the Chinese elements can be said to have been seen as eternally ever changing and moving.
In Taoism, qi functions similarly to pneuma in a prime matter (a basic principle of energetic transformation) that accounts for both biological and inanimate phenomena.
In Chinese philosophy the universe consists of heaven and earth. The five major planets are associated with and even named after the elements: Jupiter 木星 is Wood (木), Mars 火星 is Fire (火), Saturn 土星 is Earth (土), Venus 金星 is Metal (金), and Mercury 水星 is Water (水). Also, the Moonrepresents Yin (陰), and the Sun 太陽 represents Yang (陽). Yin, Yang, and the five elements are associated with themes in the I Ching, the oldest of Chinese classical texts which describes an ancient system of cosmology and philosophy. The five elements also play an important part in Chinese astrology and the Chinese form of geomancy known as Feng shui.
Rainbow strictly translated is apricot's belt, belt as in cord, or better still the girdle of Aphrodite, oras in the belt of Our Lady or the Arch of God and his covenant with Noah.
DZIA*DZAN IS ALSO RAINBOW IN ARMENIAN, MEANING DZIA BORN.
DziaDzun is like Iris (color), in English it is an ambiguous color term, usually referring to shades ranging from blue-violet to violet. It represents the colors of the rainbow expressed by their golden mean. Between the deep blue and deep red.
Dzir or Tir or Tiur - Cognate to either the Iranian Tir (or Tishtrya) or (via Armenian dpir "scribe") the Babylonian Nabu. In either case, the mercurial god of wisdom, written language, culture, and science; messenger of the gods[1][2][8] and psychopomp.[2][9] Identified with the Greek Apollo.[1] Tir's role as psychopomp may have been absorbed from the Luwian thunder god Tarhunda, whose name had been used to translate that of the Mesopotamian underworld god Nergal.[2] Tir's temple was located near Artashat.
Armenian mythology began with ancient Indo-European and Urartian origins, gradually incorporating Mesopotamian, Iranian, and Greek[citation needed] ideas and deities.[1][2] There are signs which indicate that the ancient Armenians were initially nature worshipers[citation needed] and that this faith in time was transformed to the worship of national gods, many of which originated in neighboring cultures.
The color of the common Armenian apricot is golden, it is neither yellow nor orange. It is the unique color with the special name – “tsiruni,” which means 'of apricot', or “apricot’s color”. This color, it could be said is a mix of yellow, orange, reddening pink and light burgundy all together. Starting with a sharp green apricot. This timely transformation to a ripe golden apricot with a tender and smooth skin like a newborn baby’s cheek is said to have the taste and smell of the sun.
This sign, which appears after each rain to announce the return of the sun, is a magnificent natural phenomenon: the rainbow. Biblically speaking, the rainbow is the sign of a covenant that God made with the whole earth: He will never destroy the earth again with a flood. The rainbow is literally correlated to rainfall.
God made this covenant, with the rainbow as the token, after the waters of the flood receded and Noah and his family exited the ark. God said, “I establish my covenant with you: Never again will all life be destroyed by the waters of a flood; never again will there be a flood to destroy the earth. . . . This is the sign of the covenant I am making between me and you and every living creature with you, a covenant for all generations to come: I have set my rainbow in the clouds, and it will be the sign of the covenant between me and the earth. Whenever I bring clouds over the earth and the rainbow appears in the clouds, I will remember my covenant between me and you and all living creatures of every kind. Never again will the waters become a flood to destroy all life. Whenever the rainbow appears in the clouds, I will see it and remember the everlasting covenant between God and all living creatures of every kind on the earth” (Genesis 9:11–15).
God made this promise, signified by the rainbow, not only to mankind but to “every living creature . . . the birds, the livestock and all the wild animals, all those that came out of the ark . . . every living creature on earth” (Genesis 9:9–10). The covenant is perpetual, enduring to all generations. Never again will there be a worldwide flood.
The national flag of Armenia, the Armenian Tricolour, consists of three horizontal bands of equal width, red on the top, blue in the middle, and orange (also described as "colour of apricot") on the bottom. ... The meanings of the colors are interpreted in many different ways.
Some historians consider a horizontal gold, black, and red tricolor, similar to that of the German flag but arranged differently, to have been the flag of Transcaucasia.
The official definition of the colors, as stated in the Constitution of the Republic of Armenia:
The red emblematizes the Armenian Highland, the Armenian people's continued struggle for survival, maintenance of the Christian faith, Armenia's independence and freedom. The blue emblematizes the will of the people of Armenia to live beneath peaceful skies. The orange emblematizes the creative talent and hard-working nature of the people of Armenia. An earlier vertical tricolor similar to the French flag this one red, green, and blue, from left to right, was said to represent the rainbow that Noah saw after landing on Mount Ararat where the apricot orchards are located. An earlier prototype, which was eventually rejected, was the rainbow flag. This prototype can be seen at the Martiros Saryan House Museum in Yerevan, Armenia. They chose to replace the yellow with orange "because it merged better with the other two colors, presenting a more pleasing composition"
The first, and most important fruit that blossoms in Spring is the apricot, whose flowering in late March marks the beginning, the rising of the SUN, of warm weather. For months, the quality of the apricot harvest is a topic of discussion at every dinner table. Did you see the RAINBOW, was there too much rain? Too little? When spring, has a wave of hail it will devastated the crop, causing a depression almost as acute as if a relative had died. The loss is not just culinary, it's economic. For a farming family, a strong apricot crop means enough money for heat, food and clothes in the winter. During the middle weeks of April, when the trees are covered in white blossoms, the season/life seems full of possibilities. The golden apricots come in towards middle of June, right bang on the the birthday of the celebration of the summer solstice and quickly progress from green and hard to yellow-apricot/gold/orange. The seeds are cracked with a heavy rock to reveal a brown nut that tastes almost, but not quite, like a moist almond. By the middle of July, the apricots have become overripe and are boiled down for jams and juices. By August they are all but gone.
An archaeological excavation at ancient Garni in Armenia found apricot seeds in an Eneolithic-era site. An apricot is a fruit, or the tree that bears the fruit, of several species in the genus Prunus (stone fruits).
Usually, an apricot tree is from the species P. armeniaca,The apricot is the national fruit of Armenia, mostly growing in the Ararat plain.[25][26] It is often depicted on souvenirs.[27]
The Chinese associate the apricot with education and medicine. For instance, the classical word 杏 壇 (literally: "apricot altar") (xìng tán 杏坛) which means "educational circle", is still widely used in written language. Chuang Tzu, a Chinese philosopher in the fourth century BCE, told a story that Confucius taught his students in a forum surrounded by the wood of apricot trees.[28] The association with medicine in turn comes from the common use of apricot kernels as a component in traditional Chinese medicine, and from the story of Dong Feng (董奉), a physician during the Three Kingdoms period, who required no payment from his patients except that they plant apricot trees in his orchard upon recovering from their illnesses, resulting in a large grove of apricot trees and a steady supply of medicinal ingredients.[29] The term "expert of the apricot grove" (杏林高手) is still used as a poetic reference to physicians.
The fact that apricot season is short has given rise to the common Egyptian Arabic and Palestinian Arabic expression filmishmish ("in apricot [season]") or bukra filmishmish ("tomorrow in apricot [season]"), generally uttered as a riposte to an unlikely prediction, or as a rash promise to fulfill a request.
In Middle Eastern and North African cuisines, apricots are used to make Qamar al-Din (lit. "Moon of the Religion"), a thick apricot drink that is a popular fixture at Iftar during Ramadan. Qamar al-Din is believed to originate in Damascus, Syria, where the variety of apricots most suitable for the drink was first grown.[30][31]
The Turkish idiom bundan iyisi Şam'da kayısı (literally, "the only thing better than this is an apricot in Damascus") means "it doesn't get any better than this".
In the US Marines it is considered exceptionally bad luck to eat or possess apricots,[32] especially near tanks. This superstition has been documented since at least the Vietnam War and is often cited as originating in World War II. Even naming them is considered unlucky, so they are instead called "cots",[35] "Forbidden fruit" or "A-fruit".
DANAAN/LEPRECHAUNS IN IRELAND, 1475 B.C.
The evidence which is not in conflict with any provided by the Egyptians or the Hebrews shows the Danaan to be a nature loving tribe, well bread, aristocratic, cultured, sophisticated and well mannered, if seems that good morals and fellowship was very important. Also important was learning and social equality. Danaan appear to have taken an interest in human affairs and took it upon themselves to act from behind the scene instructors, making lesions with chosen individuals within the community. Also acting as Judges.
The realization of all one's hopes and dreams; ultimate success, fulfillment, or happiness:to find the pot of gold at the end of the rainbow.
The pot of gold at the end of the rainbow simply expresses the wonderful end of a job, 'the work' well done. Every time you see a rainbow, do you look to see where it begins and where it ends? We've all heard the “pot of gold” story since we were young, but where does that legend come from? It dates back to Old Europe, where the Irish will tell you "fairies put a pot of gold at the end of each rainbow with leprechauns guarding it." It's folklore that has become part of the symbolism of St. Patrick's Day, March 17th, when many celebrate Irish culture and count themselves as “Irish” just for wearing a little of "the Green."
Irish or Armenian Legend
In Ireland, a common legend asserts that a "pot of gold" is to be found at the end of a rainbow, for the person lucky enough to find it. This treasure is, however, guarded by a Leprauchaun.
DZIRUN IS APRICOT AND RAINBOW IN PIE ARMENIAN.
FOR THE NATURALIST Scribe, son of Hayg, and the local METEOROLOGIST or ATMOSPHERIC ALCHEMIST of 2450 B.C.THE Word DZIRUN MUST HAVE REPRESENTED THE SUN'S RHYTHMIC GRACE, TURNING STONE TO APRICOT GOLD PERENNIALLY, ON THE DAY OF THE SUMMER SOLSTICE, THE SUN HAVING ALREADY MESSAGED HUMANITY WITH A RAINBOW, EXACTLY ON THE 21st MARCH, SPRING EQUINOX, THE RAINBOW SEASON. SO IF YOU ARE LOOKING FOR THE ORIGIN OF THE STORY OF THE POT OF GOLD AT THE END OF THE RAINBOW, YOU CAN PONDER MY OFFER. tHE OTHER THING i NEED TO MENTION THOUGH IT IS INTUITION ALONE, IS THAT TIR/DIR/DIA/ZIA ALL SEEM TO BE DIVIDED THE DOUBLE CONSONANT DZ OF THE ARMENIAN PHONEME. LIKE DIAS ZEUS TIR DIR ETC.
I BELIEVE THAT TIR OR DIR WAS IN ORIGIN DZIR, DZIR*AN. MY RESEARCH GOES DIRECTLY TO THE WORD DZIR WHICH TODAY SIMPLY REFERRS TO AN ORB, OR AN ORBIT, OR A CIRCLE/CYCLE, THE ECLIPTIC, MILKY WAY, GALAXY, BUT MOST RELEVENT THE EQUINOCTIAL LINE. DZIRAN ALSO GOES INTO CARDINAL, AND DZIRUNI IS ROYAL PURPLE GARB.
DZAK IS THE BREAK OF LIGHT, THE ORIGIN, THE BIRTH OF THE WHITE LIGHT, THE SUN. PARI DZUK MEANS ETYMOLOGY/PHILOLOGY/MORPHOLOGY THE FIRST WORD.
I POSIT THAT DZ IS THE EDGE, SIGNIFIES, OR IS THE PHONETIC CLUSTER OF BOTH THE MEETING STILL POINT OF BOTH THE BEGINNING AND END, THE FIRST AND LAST. A STILL POINT BETWEEN CONTRADICTORY OPPOSITES.
NAR*GIS = NARCISSUS, Narcissus is a genus of predominantly spring perennial plants of the Amaryllidaceae (amaryllis) family. AGAIN MARKING THE POINT on THE LINE, at the SPRING EQUINOX.
NAR*DOS = Nardus ON THE OTHER HAND is a genus of plants belonging to the grass family, containing the single species Nardus stricta, known as matgrass. The name derives from nardos (νάρδος), the ancient Greek name for this plant. It is not to be confused with spikenard, Nardostachys jatamansi.
SPIKE*NARD, also called nard, nardin, and muskroot, is a class of aromatic amber-colored essential oil derived from Nardostachys jatamansi, a flowering plant of the valerian family which grows in the Himalayas of Nepal, China, and India. A PURPLE, SWEET SMELLING a costly perfumed ointment much valued in ancient times. Spikenard represents Saint Joseph. With this meaning, Pope Francis has included the spikenard in his coat of arms.
NAR*INCH = ORANGE AND COLOR. NAR*D = THE GAME OF CHANCE, TRICK-TRACK.
NA*Y IS MELLOW, SOFT, THE LIQUID PHONEMES/LETTERS IN ARMENIAN WHICH ARE L,Xh, M, N, P.
NA*YE = TO LOOK, THE EYE, THE LIGHT,
WHAT IF I CAN SHOW THAT THE ARMENIAN DZ PHONEME, REPRESENTS THE observed or imaginary LINE, BORDER, BOUNDARY, edge BETWEEN COMPLEMENTARY/CONTRADICTORY OPPOSITES in time and space. In other words there are two sides to a divide.
DZYDZAN = IRIS, RAINBOW, DZAR is Tree AND AN*DZAR IS THE 'COVER OF TREES' UNDER THE SUN. DA, representing THE phenomenon ESSENCE WOOD, representing its TRANS-FORMATIVE PRESENCE IN space, hardening in time. Wood the fifth element.
IRIS MAY REFER TO:
Iris (anatomy), part of the eye.
Iris (color), an ambiguous color term, usually referring to shades ranging from blue-violet to violet
Iris (insect), a genus of praying mantis
Iris (mythology), a Greek goddess
Iris (plant), a genus of flowering plants
I know for a fact that the phoneme, the consonant DZA is a fundamental element in the early formation of Armenian words. Key words like DZAM=CHEW to DZIDZ=SUCKLE to KIDZ=LINE TO VEDZ=SIX all make use of the meaning attached to DZ.
Central to this monograph is the use of the DZ phoneme as a prefix for the rainbow and as a suffix for the number six.
The Armenian language was structured, by the very ancient scribes. Dzir/Tir, the son of Hayg and I have to assume that there was a simple and sublime light behind their logic.This was a new and unique language coming out of the Sumerian school ready to go in 2494 B.C. The equation used by them to form new words for a new order. Why he chose the phoneme DZA, both within his name and as the name of rainbow. A rainbow, a meteorological phenomenon that is caused by reflection, refraction and dispersion of white light, a spectrum of light in the sky that takes the form of a multi colored circle or arc. Rainbows caused by sunlight always appear in the section of sky directly opposite the sun. The first manifestation, a 'dissolution' of natural white light.
DZIR*AN is the rainbow. DZ is the defining element represented in this word.
Ki*Dz in Armenian is the word that defines a 'line', the line that divides/connects two moments in time and two sides in space. Dz here defines a line and as I showed in previous blogs Ki is the life force, the phoneme that is generated to define and express the eternal presence in life. Ki is both the spark of life and the ghost of life.The Oxford English Dictionary entry for qi gives the etymology from Chinese qì as "air; breath", and as a definition of "The physical life-force. Energy. In traditional Chinese culture, qi is believed to be a vital force forming part of any living entity.
Sumerian Ki seems to have survived unchanged as Qi of the East and it always translates as Life to Air to Breath to "vapor" and only figuratively as "material energy", "life force", or "energy flow".
In Babylonian mythology, the cosmogony called Enûma Eliš, a text written between the 18th and 16th centuries BC, involves four gods that we might see as personified cosmic elements: sea, earth, sky, wind. In other Babylonian texts these phenomena are considered independent of their association with deities,[4] though they are not treated as the component elements of the universe, as later in Empedocles. The Armenians like the Chinese model appear to have had a somewhat different series of elements, namely Fire, Earth, Gold, Water and Wood. These were understood as different types of energy in a state of constant cyclical flow, interaction and flux with one another. The Chinese word xing literally means a "changing states of being", "permutations" or "metamorphoses of being". Nobody seems to agree on one single translation. The Armenian concept of 'natural life forces', like the Chinese elements can be said to have been seen as eternally ever changing and moving.
In Taoism, qi functions similarly to pneuma in a prime matter (a basic principle of energetic transformation) that accounts for both biological and inanimate phenomena.
In Chinese philosophy the universe consists of heaven and earth. The five major planets are associated with and even named after the elements: Jupiter 木星 is Wood (木), Mars 火星 is Fire (火), Saturn 土星 is Earth (土), Venus 金星 is Metal (金), and Mercury 水星 is Water (水). Also, the Moonrepresents Yin (陰), and the Sun 太陽 represents Yang (陽). Yin, Yang, and the five elements are associated with themes in the I Ching, the oldest of Chinese classical texts which describes an ancient system of cosmology and philosophy. The five elements also play an important part in Chinese astrology and the Chinese form of geomancy known as Feng shui.
The doctrine of five phases describes two cycles of balance, a generating or creation (生, shēng) cycle and an overcoming or destruction (克/剋, kè) cycle of interactions between the phases.
Generating
- Wood feeds fire;
- Fire creates earth (ash);
- Earth bears metal;
- Metal collects water;
- Water nourishes wood.
Overcoming
- Wood parts earth;
- Earth absorbs water;
- Water quenches fire;
- Fire melts metal;
- Metal chops wood.
There are also two cycles of imbalance, an overacting cycle (cheng) and an insulting cycle (wu).
Ahura Mazda's Spenta Mainyu is the instrument or "active principle" of the act of creation. It is also through this "Bounteous Force", "Creative Emanation", or "Holy Spirit" that Ahura Mazda is immanent in humankind (Yasna 33.6), and how the Creator interacts with the world (Yasna 43.6).
This doctrine close to Armenian, also has a natural physical dimension, in that each of the heptad is linked to one of the seven creations, which in ancient philosophy were the foundation of the universe. These physical associations are only alluded to in the Gathas, and then so subtly that they are usually lost in translation.
The six "divine sparks" that appear in the Gathic Yasna 47.1 are:
- [Vohu] Manah, approximately meaning "[Good] Purpose"
- Aša [Vahišta], "[Best] Truth/Righteousness"
- Xšaθra [Vairya], "[Desirable] Dominion"
- [Spənta] Armaiti, "[Holy] Devotion"
- Haurvatāt, "Wholeness"
- Amərətāt, "Immortality"
A systematic association is only present in later middle Persian texts, where each of the seven is listed with its "special domain", .
- Ahura Mazda → Middle Persian Ohrmazd (NP Hōrmuzd) is the highest spirit.
- Vohu Manah → MP: Wahman (NP Bahman) of cattle (and all animal creation)
- Aša Vahišta → MP: Ardwahišt (NP Urdībihišt) of fire (and all other luminaries)
- Xšaθra Vairya → MP: Šahrewar, of metals (and minerals)
- Spənta Ārmaiti → MP: Spandarmad, of earth
- Haurvatāt → MP: Hordād (NP Xurdād) of water
- Amərətāt → MP: Amurdād (NP Murdād) of plants/wood
DZA*K= CRACK OF LIGHT/DAWN/BREAKTHROUGH. PARI*DZAK TRANSLATES TO WORD*CRACK WHICH IS ETYMOLOGY IN ARMENIAN. TO CONTINUE.......................
DZA*T= WILD THYME THAT CARPETS MOTHER EARTH.
DZA*L= A FOLD, CREASE.
DZA*DZA*N= THE CARP, THE KOI. The Carp is the queen of rivers; a stately, a good, and a very subtle fish; that was not at first bred. Koi are a domesticated subspecies of common carp (Cyprinus carpio) that have been selectively bred for their beautiful color. In Japanese culture, koi are treated with affection, and seen as good luck. They are popular in other parts of the world as outdoor pond fish.
DZADZA= TO UNDULATE BETWEEN TWO POINTS, WAVE, UP DOWN SIDE TO SIDE.
DZA*DZG=COVER,WRAP. UNDER COVER SECRET. DZADZK=COPULA.
DZA*G= A HOLE, A CAVITY, A PERFORATION. DZAG*EYE IS A GREEDY PERSON
DZA*GH= A HONEYCOMB A NATURAL HEXAGON AND DZA*GHIG IS FLOWER.
Rainbow strictly translated is apricot's belt, belt as in cord, or better still the girdle of Aphrodite, oras in the belt of Our Lady or the Arch of God and his covenant with Noah.
DZIA*DZAN IS ALSO RAINBOW IN ARMENIAN, MEANING DZIA BORN.
DziaDzun is like Iris (color), in English it is an ambiguous color term, usually referring to shades ranging from blue-violet to violet. It represents the colors of the rainbow expressed by their golden mean. Between the deep blue and deep red.
Dzir or Tir or Tiur - Cognate to either the Iranian Tir (or Tishtrya) or (via Armenian dpir "scribe") the Babylonian Nabu. In either case, the mercurial god of wisdom, written language, culture, and science; messenger of the gods[1][2][8] and psychopomp.[2][9] Identified with the Greek Apollo.[1] Tir's role as psychopomp may have been absorbed from the Luwian thunder god Tarhunda, whose name had been used to translate that of the Mesopotamian underworld god Nergal.[2] Tir's temple was located near Artashat.
Armenian mythology began with ancient Indo-European and Urartian origins, gradually incorporating Mesopotamian, Iranian, and Greek[citation needed] ideas and deities.[1][2] There are signs which indicate that the ancient Armenians were initially nature worshipers[citation needed] and that this faith in time was transformed to the worship of national gods, many of which originated in neighboring cultures.
The color of the common Armenian apricot is golden, it is neither yellow nor orange. It is the unique color with the special name – “tsiruni,” which means 'of apricot', or “apricot’s color”. This color, it could be said is a mix of yellow, orange, reddening pink and light burgundy all together. Starting with a sharp green apricot. This timely transformation to a ripe golden apricot with a tender and smooth skin like a newborn baby’s cheek is said to have the taste and smell of the sun.
This sign, which appears after each rain to announce the return of the sun, is a magnificent natural phenomenon: the rainbow. Biblically speaking, the rainbow is the sign of a covenant that God made with the whole earth: He will never destroy the earth again with a flood. The rainbow is literally correlated to rainfall.
God made this covenant, with the rainbow as the token, after the waters of the flood receded and Noah and his family exited the ark. God said, “I establish my covenant with you: Never again will all life be destroyed by the waters of a flood; never again will there be a flood to destroy the earth. . . . This is the sign of the covenant I am making between me and you and every living creature with you, a covenant for all generations to come: I have set my rainbow in the clouds, and it will be the sign of the covenant between me and the earth. Whenever I bring clouds over the earth and the rainbow appears in the clouds, I will remember my covenant between me and you and all living creatures of every kind. Never again will the waters become a flood to destroy all life. Whenever the rainbow appears in the clouds, I will see it and remember the everlasting covenant between God and all living creatures of every kind on the earth” (Genesis 9:11–15).
God made this promise, signified by the rainbow, not only to mankind but to “every living creature . . . the birds, the livestock and all the wild animals, all those that came out of the ark . . . every living creature on earth” (Genesis 9:9–10). The covenant is perpetual, enduring to all generations. Never again will there be a worldwide flood.
The national flag of Armenia, the Armenian Tricolour, consists of three horizontal bands of equal width, red on the top, blue in the middle, and orange (also described as "colour of apricot") on the bottom. ... The meanings of the colors are interpreted in many different ways.
Some historians consider a horizontal gold, black, and red tricolor, similar to that of the German flag but arranged differently, to have been the flag of Transcaucasia.
The official definition of the colors, as stated in the Constitution of the Republic of Armenia:
The red emblematizes the Armenian Highland, the Armenian people's continued struggle for survival, maintenance of the Christian faith, Armenia's independence and freedom. The blue emblematizes the will of the people of Armenia to live beneath peaceful skies. The orange emblematizes the creative talent and hard-working nature of the people of Armenia. An earlier vertical tricolor similar to the French flag this one red, green, and blue, from left to right, was said to represent the rainbow that Noah saw after landing on Mount Ararat where the apricot orchards are located. An earlier prototype, which was eventually rejected, was the rainbow flag. This prototype can be seen at the Martiros Saryan House Museum in Yerevan, Armenia. They chose to replace the yellow with orange "because it merged better with the other two colors, presenting a more pleasing composition"
The first, and most important fruit that blossoms in Spring is the apricot, whose flowering in late March marks the beginning, the rising of the SUN, of warm weather. For months, the quality of the apricot harvest is a topic of discussion at every dinner table. Did you see the RAINBOW, was there too much rain? Too little? When spring, has a wave of hail it will devastated the crop, causing a depression almost as acute as if a relative had died. The loss is not just culinary, it's economic. For a farming family, a strong apricot crop means enough money for heat, food and clothes in the winter. During the middle weeks of April, when the trees are covered in white blossoms, the season/life seems full of possibilities. The golden apricots come in towards middle of June, right bang on the the birthday of the celebration of the summer solstice and quickly progress from green and hard to yellow-apricot/gold/orange. The seeds are cracked with a heavy rock to reveal a brown nut that tastes almost, but not quite, like a moist almond. By the middle of July, the apricots have become overripe and are boiled down for jams and juices. By August they are all but gone.
An archaeological excavation at ancient Garni in Armenia found apricot seeds in an Eneolithic-era site. An apricot is a fruit, or the tree that bears the fruit, of several species in the genus Prunus (stone fruits).
Usually, an apricot tree is from the species P. armeniaca,The apricot is the national fruit of Armenia, mostly growing in the Ararat plain.[25][26] It is often depicted on souvenirs.[27]
The Chinese associate the apricot with education and medicine. For instance, the classical word 杏 壇 (literally: "apricot altar") (xìng tán 杏坛) which means "educational circle", is still widely used in written language. Chuang Tzu, a Chinese philosopher in the fourth century BCE, told a story that Confucius taught his students in a forum surrounded by the wood of apricot trees.[28] The association with medicine in turn comes from the common use of apricot kernels as a component in traditional Chinese medicine, and from the story of Dong Feng (董奉), a physician during the Three Kingdoms period, who required no payment from his patients except that they plant apricot trees in his orchard upon recovering from their illnesses, resulting in a large grove of apricot trees and a steady supply of medicinal ingredients.[29] The term "expert of the apricot grove" (杏林高手) is still used as a poetic reference to physicians.
The fact that apricot season is short has given rise to the common Egyptian Arabic and Palestinian Arabic expression filmishmish ("in apricot [season]") or bukra filmishmish ("tomorrow in apricot [season]"), generally uttered as a riposte to an unlikely prediction, or as a rash promise to fulfill a request.
In Middle Eastern and North African cuisines, apricots are used to make Qamar al-Din (lit. "Moon of the Religion"), a thick apricot drink that is a popular fixture at Iftar during Ramadan. Qamar al-Din is believed to originate in Damascus, Syria, where the variety of apricots most suitable for the drink was first grown.[30][31]
The Turkish idiom bundan iyisi Şam'da kayısı (literally, "the only thing better than this is an apricot in Damascus") means "it doesn't get any better than this".
In the US Marines it is considered exceptionally bad luck to eat or possess apricots,[32] especially near tanks. This superstition has been documented since at least the Vietnam War and is often cited as originating in World War II. Even naming them is considered unlucky, so they are instead called "cots",[35] "Forbidden fruit" or "A-fruit".
DANAAN/LEPRECHAUNS IN IRELAND, 1475 B.C.
The evidence which is not in conflict with any provided by the Egyptians or the Hebrews shows the Danaan to be a nature loving tribe, well bread, aristocratic, cultured, sophisticated and well mannered, if seems that good morals and fellowship was very important. Also important was learning and social equality. Danaan appear to have taken an interest in human affairs and took it upon themselves to act from behind the scene instructors, making lesions with chosen individuals within the community. Also acting as Judges.
The realization of all one's hopes and dreams; ultimate success, fulfillment, or happiness:to find the pot of gold at the end of the rainbow.
The pot of gold at the end of the rainbow simply expresses the wonderful end of a job, 'the work' well done. Every time you see a rainbow, do you look to see where it begins and where it ends? We've all heard the “pot of gold” story since we were young, but where does that legend come from? It dates back to Old Europe, where the Irish will tell you "fairies put a pot of gold at the end of each rainbow with leprechauns guarding it." It's folklore that has become part of the symbolism of St. Patrick's Day, March 17th, when many celebrate Irish culture and count themselves as “Irish” just for wearing a little of "the Green."
Irish or Armenian Legend
In Ireland, a common legend asserts that a "pot of gold" is to be found at the end of a rainbow, for the person lucky enough to find it. This treasure is, however, guarded by a Leprauchaun.
DZIRUN IS APRICOT AND RAINBOW IN PIE ARMENIAN.
FOR THE NATURALIST Scribe, son of Hayg, and the local METEOROLOGIST or ATMOSPHERIC ALCHEMIST of 2450 B.C.THE Word DZIRUN MUST HAVE REPRESENTED THE SUN'S RHYTHMIC GRACE, TURNING STONE TO APRICOT GOLD PERENNIALLY, ON THE DAY OF THE SUMMER SOLSTICE, THE SUN HAVING ALREADY MESSAGED HUMANITY WITH A RAINBOW, EXACTLY ON THE 21st MARCH, SPRING EQUINOX, THE RAINBOW SEASON. SO IF YOU ARE LOOKING FOR THE ORIGIN OF THE STORY OF THE POT OF GOLD AT THE END OF THE RAINBOW, YOU CAN PONDER MY OFFER. tHE OTHER THING i NEED TO MENTION THOUGH IT IS INTUITION ALONE, IS THAT TIR/DIR/DIA/ZIA ALL SEEM TO BE DIVIDED THE DOUBLE CONSONANT DZ OF THE ARMENIAN PHONEME. LIKE DIAS ZEUS TIR DIR ETC.
I BELIEVE THAT TIR OR DIR WAS IN ORIGIN DZIR, DZIR*AN. MY RESEARCH GOES DIRECTLY TO THE WORD DZIR WHICH TODAY SIMPLY REFERRS TO AN ORB, OR AN ORBIT, OR A CIRCLE/CYCLE, THE ECLIPTIC, MILKY WAY, GALAXY, BUT MOST RELEVENT THE EQUINOCTIAL LINE. DZIRAN ALSO GOES INTO CARDINAL, AND DZIRUNI IS ROYAL PURPLE GARB.
DZAK IS THE BREAK OF LIGHT, THE ORIGIN, THE BIRTH OF THE WHITE LIGHT, THE SUN. PARI DZUK MEANS ETYMOLOGY/PHILOLOGY/MORPHOLOGY THE FIRST WORD.
I POSIT THAT DZ IS THE EDGE, SIGNIFIES, OR IS THE PHONETIC CLUSTER OF BOTH THE MEETING STILL POINT OF BOTH THE BEGINNING AND END, THE FIRST AND LAST. A STILL POINT BETWEEN CONTRADICTORY OPPOSITES.
Classical elements typically refer to the concepts in ancient Greece of earth, water, air, fire, and aether, Ancient cultures in Babylonia, Japan, Tibet, and India had similar lists, sometimes referring in local languages to "air" as "wind" and the fifth element as "void". The Chinese Wu Xing system lists Wood (木mù), Fire (火 huǒ), Earth (土 tǔ), Metal (金 jīn), and Water (水 shuǐ), though these are described more as energies or transitions rather than as types of material.These different cultures and even individual philosophers had widely varying explanations concerning their attributes and how they related to observable phenomena as well as cosmology. Sometimes these theories overlapped with mythology and were personified in deities. Centuries of empirical investigation have proven that all the ancient systems were incorrect explanations of the physical world. It is now known that atomic theory is a correct explanation, and that atoms can be classified into more than a hundred chemical elements such as oxygen, iron, and mercury. These elements form chemical compounds and mixtures, and under different temperatures and pressures, these substances can adopt different states of matter. The most commonly observed states of solid, liquid, gas, and plasma share many attributes with the classical elements of earth, water, air, and fire, respectively, but it is now known that these states are due to similar behavior of different types of atoms at similar energy levels, and not due to containing a certain type of atom or a certain type of infinitely divisible substance or energy.
Dwarf (Germanic mythology)
In Germanic mythology, a dwarf is a being that dwells in mountains and in the earth, and is variously associated with wisdom, smiting, mining, horticulture and crafting. Dwarfs are often also described as short and ugly, although some scholars have questioned whether this is a later development stemming from comical portrayals of the beings.
Cloning?
Dwarf (Germanic mythology)
In Germanic mythology, a dwarf is a being that dwells in mountains and in the earth, and is variously associated with wisdom, smiting, mining, horticulture and crafting. Dwarfs are often also described as short and ugly, although some scholars have questioned whether this is a later development stemming from comical portrayals of the beings.
Cloning?
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