WHY HEIROGLYPH OF REED𓇋 REPRESENTED THE SOUND J OR Y OR I
In functional-cognitive linguistics, as well as in semiotics, iconicity is the conceived similarity or analogy between the form of a sign (linguistic or otherwise) and its meaning, as opposed to arbitrariness (which is typically assumed in structuralist, formalist and generative approaches to linguistics).
Concepts are defined as abstract ideas. They are understood to be the fundamental building blocks underlying principles, thoughts and beliefs. They play an important role in all aspects of cognition. As such, concepts are studied by several disciplines, such as linguistics, psychology, and philosophy, and these disciplines are interested in the logical and psychological structure of concepts, and how they are put together to form thoughts and sentences. The study of concepts has served as an important flagship of an emerging interdisciplinary approach called cognitive science.
In contemporary philosophy, there are at least three prevailing ways to understand what a concept is:
In contemporary philosophy, there are at least three prevailing ways to understand what a concept is:
Concepts as mental representations, where concepts are entities that exist in the mind (mental objects)
Concepts as abilities, where concepts are abilities peculiar to cognitive agents (mental states)
Concepts as Fregean senses, where concepts are abstract objects, as opposed to mental objects and mental states.
Imagiphone a word I have coined to demonstrate unlike the word ideophone (which is word in a certain word class evoking ideas in sound imitation (onomatopoeia) to express an action, manner, or property) is a human imitation of a sound heard in nature by the inner ear that evokes bring to mind calls to mind, conjures up an abstract idea, a concept, an entity that exist in the mind (a mental object) imagined like in a spirit or deity. A phone, a sound imitation, (onomatopoeia) of a concept is the Y/J/I.
Concepts as abilities, where concepts are abilities peculiar to cognitive agents (mental states)
Concepts as Fregean senses, where concepts are abstract objects, as opposed to mental objects and mental states.
Imagiphone a word I have coined to demonstrate unlike the word ideophone (which is word in a certain word class evoking ideas in sound imitation (onomatopoeia) to express an action, manner, or property) is a human imitation of a sound heard in nature by the inner ear that evokes bring to mind calls to mind, conjures up an abstract idea, a concept, an entity that exist in the mind (a mental object) imagined like in a spirit or deity. A phone, a sound imitation, (onomatopoeia) of a concept is the Y/J/I.
Amen is said to be a word of Biblical Hebrew origin. It appears many times in the Hebrew Bible as a confirmatory response, especially following blessings. The basic triconsonantal root א-מ-נ, from which the word is derived, is common to a number of languages in the Semitic branch of the Afroasiatic languages, including biblical Aramaic. Meanings of the root in Hebrew include to be firm or confirmed, to be reliable or dependable, to be faithful, to have faith, to believe. The word was imported into Greek from the Judaism of the early Church. From Greek, amen entered other European languages. According to a standard dictionary etymology of the English word, amen passed from Greek into Late Latin, and thence into English. What it means literally when it is used in Jewish, Christian, and Muslim practices as a concluding word, or as a response to a prayer include "verily", "truly", "it is true", and "let it be so". It is also used colloquially, to express strong agreement. Amen is not translated into different words from one language to another.
Wikipedia tells us that in English, the word amen has two primary pronunciations, ah-MEN (/ɑːˈmɛn/) or ay-MEN (/eɪˈmɛn/). The ay-men pronunciation is a product of the Great Vowel Shift (i.e., it dates from the 15th century); it is associated with Irish Protestantism and with conservative evangelical denominations generally. It is also the pronunciation typically used in gospel music.
Popular among some theosophists, proponents of Afrocentric theories of history, and adherents of esoteric Christianity is the conjecture that amen is a derivative of the name of the Egyptian god Amun (which is sometimes also spelled Amen). Some adherents of Eastern religions believe that amen shares roots with the Hindu Sanskrit word Aum and I would add the greeting Namaste which in the veda it is a salutation to a divinity and literally translated it means" The divine within me bows to the same divine within you" Despite its conciseness this word incompasses the essential teaching of Hinduism. Such external etymologies are not included in standard etymological reference works.
Notice the Hebrew word, as noted above, starts with aleph, while the Egyptian name begins with a yodh.
The linguist Ghil'ad Zuckermann argues that, as in the case of Hallelujah, the word amen is usually not replaced by a translation due to the speakers' belief in iconicity, their perception that there is something intrinsic about the relationship between the sound of the signifier (the word) and what it signifies (its meaning).
The linguist Ghil'ad Zuckermann argues that, as in the case of Hallelujah, the word amen is usually not replaced by a translation due to the speakers' belief in iconicity, their perception that there is something intrinsic about the relationship between the sound of the signifier (the word) and what it signifies (its meaning).
In functional-cognitive linguistics, as well as in semiotics, iconicity is the conceived similarity or analogy between the form of a sign (linguistic or otherwise) and its meaning, as opposed to arbitrariness (which is typically assumed in structuralist, formalist and generative approaches to linguistics). The principle of iconicity is also shared by the approach of linguistic typology
Vowel magnitude relationships suggest that, the larger the object, the more likely its name has open vowels such as /ɒ/, /eɪ/, and /æ/; the smaller the object, the more likely its name has closed vowel sounds such as /iː/, /ʊ/, and /juː/. Open vowel sounds are also more likely to be associated with round shapes and dark or gloomy moods, where closed vowel sounds are more likely to be associated with pointed shapes and happy moods.
Vowel magnitude relationships suggest that, the larger the object, the more likely its name has open vowels such as /ɒ/, /eɪ/, and /æ/; the smaller the object, the more likely its name has closed vowel sounds such as /iː/, /ʊ/, and /juː/. Open vowel sounds are also more likely to be associated with round shapes and dark or gloomy moods, where closed vowel sounds are more likely to be associated with pointed shapes and happy moods.
WHY DO REEDS IN EGYPTIAN HIEROGLYPHS REPRESENT THE SOUND Y/J/I. The REED is a vital and indispensable flowering fresh-water plant of ancient Egypt.
Let me start with the famous poem by Rumi (Jalal ad-Din Mohammad Balkhi, 1207-1273). Rumi who was also a philosopher wrote in the Persian language and in his poem “Listen to the reed” he used the reed as the metaphor for the soul, the soul of the perfect man. Even before Rumi, other Sufies and theosophists had used the reed as symbole of the soul of a human being who complains of separation from that spiritual world before enlivening Adam’s body.
There have been many translation of this poem into English. My analysis or interpretation takes into acount the theosophical terminologies that are in the Redhouse translation.
In Islamic theosophy, mankind is composed of the soul and body. The soul is the part of the Holy Spirit that the God blew into the first man Adam. Theosophists like Rumi I believe tap into an ancient tradition when they use the original symbol for the reed as the symbol, the metaphor of the spirit that the human forms the human soul. Like the single reed in the poem that sings the rueful song of Separation from the mother soul or as whitehead will have it the oversoul. The lines “From jungle-bed since me they tore, men's, women's, eyes have wept right sore.” where “jungle-bed” is the metaphor for the main source of the Spirit where the individual soul originated. This suggests that the frail soul of the one,wails for it has been separated from the All, the Holy Spirit in Islam and Chritianity and longs to return to its home.
and only a reed, like a heart torn by the pains of separation and loneliness, can tell the tale of the joyful moment of the reunion (of human soul) with the oversoul.
It is humans nature to want to know its origin. In the fourth verse Rumi make this point very clear. For he suggests that everyone who relates to the reed that has been severed from his roots and origin, will finally, one day return and unite with his origin.
The Interpretation of the line in the poem “Whole seas a fish will never drown;" Rumi I believe emphasizes that the spirit like love is the source of life for a lover is like a fish that never.
𓇋 Reed leaf Phono. i. Phono. y, when doubled.
become waterlogged or quenched or drowns in the water.
Rumi’s infinite art in this poem is everlasting for he brings forward and gives life an ancient mystic thought, a phylosophy, the reed as the metaphor, the protagonist in a poem, a story that cultivates the hope and desires of humanity a vision for mankind.
Yod plays the most important role in the act of Creation. According to the Kabbalah yod depicts all the ten sephiroth and represents the sephira Chokmah. Every Hebrew letter is made up from this letter yod and all of the letters of the Hebrew alphabet were used in the creation of the world; in other words, language develops at the same time as spirituality involutes into the manifestation. Yod is thus the cause of all causes.
Take the Hebrew word שמים shamayim, for firmament, heaven (the abode of God) which is also sky, abode of the stars, the visible universe or atmosphere. Shamaim (Shin, Mem, Yod, Mem final) is an aggregation of two words, Aish (fire) and Maim (water), notice both words contain the yod, the sound /ai/. Yod has an an elegent image, looks like a tiny drop of water or a flame (energy) that is about to descend or assend. Yod is represented as a mere dot in Hebrew an iota in Greek and the i in English and whichever image all three allude to the same phone and I offer are at origin represent the sound that signified the idea of the spirit as signified by the reed in ancient Egyptian Heiroglyphs. Yod I posit however represented by a reed or a dot, or a speck, is the point in which all the divine energy or the spirit of Creation is concentrated.
The firmament is a combination of the spiritual fire and the spiritual water. The creation of the “firmament” is obviously important; It is said that God divided the waters from the heavens. The firmamentit is part of the cosmic structure created by the spirit always represented by the sound /ai/, signified by the letter yod in Hebrew. Yod means “arm” or “hand” (as in hand of the Creator). This sound plays the most important role in the creation of language as well as the acts of Creation. Yod, being the smallest letter of the Hebrew alphabet, is said to represent the spiritual, all which is beyond the physical. Even though Yod is the smallest letter of the Hebrew alphabet, it is said to be still the highest, the greatest, the most majestic concept man can imagine, for the idea of a Creator, is represented by this letter. All the light, life, creative energy, all are expressed through the sound of the letter Yod. Those who advance spiritually come to understand this concept. In minuteness lies the essence. This letter and the rest of our alphabet is considered to be ancient, mystical and sacred, said to have been given to man complete with eack sound and its original meaning, for it represents the sounds of the forces that were used in creating of names for the phenomena we experiece as the Universe, all transliterated into an alphabet that can be worked by us to create with.
The letter Yod has the numerical value of 10, everything we do originates in our thoughts,
and 10 represents completion. Ten brings to mind the Pythagorean Triangle, Tetractys, consisting of an equilateral Triangle enclosing one can say ten Yods. Thus the upper is the Monad, the second line the Dyad, the third the Triad, and the fourth the Quaternary or Tetrad thus representing the four forms of point, line, superficies and solid.
The letter J coresponds to the letter yod of the Hebrew alphabet, meaning hands, the hands of God who created everything. In other words the yod/spirit, the symbol of everything, represented by the dot that represented the hand that created all represented by the dot, the oneness and unity of everything, the spirit, the soul the one the all. The cause of all causes.
Why do all the names of Hebrew messengers of God start with the letter J, or rather the phone/sound ya, like Jesus, Jacob, John, Joseph etc. the answer is because they are all spiritually endowed with the power of God.
J also signifies the 'light' the divine spark of light in each and every living thing, which is why the yod is said to represent the 'flame' rather the light it emmitted, enlightenment, conciousness, or the spiritual 'eye' that sees beyond the physical, three dimentional world. The light of the dawn, represented by the sound /aya/ and the name of the Goddess of Dawn of the Sumerian, Akkadian and Armenian languages.
Finally last but not least, in the Egyptian school of esotericism, the letter J or the sound /ai/ or /ia/ is said to represent the beard of IMN and later OSIRIS. This is very reminicent od the reed flower which blows in the wind to the natural sound of /yyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyy/.
Aeolian, sound is produced by wind when it encounters an obstacle. Fixed objects, such as reeds cause constant sounds called Aeolian tones. A wind that flows over a reed produces a sound the frequency (pitch) of which is a function of wind speed and the diameter of that reed.
The inner ear: The common use of the sense of hearingis as the medium of interpretation of sounds, whether of nature or of the articulate expression of fellow-men, and by further reference and deeper analogy, - the inner ear- stands as the avenue through which Divine or Spiritual communications may pass to the soul. The metaphor of the ear both in the bible but more so in literiture occurs almost as frequently as the eye, for the ear is the symbol of obedience. Writers of the Old and New Testaments fasten great attention upon the sense of hearing. The metaphor of the "ear" when found in the New Testament is commonly discovered in settings of Old Testament passages.
In John 3:8, Jesus is quoted as saying. 'You hear [the winds] sound, but you cannot tell where it comes from or where it is going. So it is with everyone born of the Spirit.' Wind, is "a current of air, of any degree of force perceptible to the senses, occurring naturally in the atmosphere,"
The ear is alsa an ancient symbol, in very early mythologies it was associated with the female genital organ through the ear both conception and birth was said to tale place. In Indian mythology for example the Sun-god had intercourse with a virgin through the ear.
The inner ear:
The common use of the sense of hearingis as the medium for the interpretation of sounds, whether of nature or of the articulate expression of fellow-men. By further reference and deeper analogy, - the inner ear- stands as the avenue through which Divine or Spiritual communications may pass to the soul. One might suppose, the metaphor of the ear both in the bible but more so with the poet the ear would occur almost as frequently as the eye, if not definatly more than of any other sense for the ear is the symbol of obedience.
So the question is whether an ear is part of the inside or the outside of a body. One of the most famous invocations of the ear is, Antony’s "Friends, Romans, countrymen, lend me your ears!" (3.2.65) in Julius Caesar. Antony’s rhetorical display is one of the clearest examples of that persuasion is a powerful force.
The sound for the letter/ia/ and the sound /ai/ signify the the spirit, the liminal space of the unknown and unknowable.
I first came across the positioning of the five vowels a o u e i in a cyclic order in the book by R.Graves named the white Goddess where birth was signified by the vowel 'a' sound 'aaa' and the 'i' vowel signified death sound 'iii'
So the question is " Was the way that language was originally structured have anything to do with the way we hear sound with our inner ear and react to it.
" Paradox vs Juxtaposition" "Paradime"
Juxtaposition is a broad term and paradox can be viewed as a type of juxtaposition.
Paradox and juxtaposition are two figures of speech that involve two contradictory elements. Juxtaposing is a literary device in which two opposing or contrasting elements are placed side by side in order to highlight their similarities and differences. Paradox is a phrase or sentence where two contrasting ideas are used in order to reveal a hidden truth. This is the main difference between paradox and juxtaposition.
A Paradox is a phrase or sentence where two contrasting ideas are used in order to reveal a hidden truth and that truth from time ememorial is life/death.
A paradox is a seemingly absurd or contradictory statement or proposition which when investigated may reveal a hidden or unexpected truth or prove to be well founded or true. In simple logic the reverse ordering of this statement also describes a paradox. For example, Dead things cannot be alive or living things cannot be dead.
Life and death are mutually exclusive properties and since objects cannot possess both properties simultaneously. Life or a living thing cannot be dead and a dead thing alive.
So since Life and Death cannot be unified in any existential state.
Yes a living thing is dying in being but a thing cannot be both “Death and Life” both do not exist in coherent terms.
Death is a paradox for death in life comes to everyone and nobody can communicate about death by drawing upon his or her own experience.When we examine the words Paradox & Paradigm which come into English from Greek, we Paradox: A statement or proposition that seems/is or signifies anything that is contradictory yet complimentary. Something that in nature/truth/reality, makes no sense. Polar opposites. A paradox is a thing, exhibiting a contradicting nature.
Paradigm: An example, serving as a pattern or model. A framework containing the basic assumptions, ways of thinking, and methodology that are commonly accepted by members of any field of study. A cognitive framework shared by members of any discipline or group.
Although I am not aware of these two terms being merged in the sense I am using, a plausible definition for paradoxical paradigm I would propose would go something like this: “Any set of assumptions constituting a way of interpreting reality that may seem self-contradictory, but which could express a possible truth.”“Paradoxical Paradigm”.
Paradox: A statement or proposition that seems self-contradictory or absurd, but in reality, expresses a possible truth. Any person, thing, or situation exhibiting an apparently self-contradicting nature.
Paradigm: An example, serving as a pattern or model. A framework containing the basic assumptions, ways of thinking, and methodology that are commonly accepted by members of any field of study. A cognitive framework shared by members of any discipline or group.
Although I am not aware of these two terms being merged in the sense I am using, a plausible definition for paradoxical paradigm I would propose would go something like this: “Any set of assumptions constituting a way of interpreting reality that may seem self-contradictory, but which could express a possible truth.”VAHAGN AND THE REED OF FIRE AND WATER
Vahagn or Vahakn (Armenian: Վահագն), also known as Vahagn Vishapakagh (Վահագն Վիշապաքաղ, 'Vahagn the Dragon-reaper'), is a warrior god in Armenian mythology.[1] Scholars consider him to be either the thunder, or sun and fire god of the pre-Christian Armenian pantheon, as well as the god of war, bravery and victory.[2][3] He formed a triad with Aramazd and Anahit.[4] Vahagn is etymologically derived from *Varhraγn, the Parthian name for the Indo-Iranian god Verethragna, although there are key differences between the two deities.[5]
Vahagn was worshipped at a tripartite temple complex together with his bride Astghik and the goddess Anahit in the district of Taron, on the slopes of a mountain called Karke near the settlement of Ashtishat.[3][6][7] After Armenia came under Hellenistic influence in antiquity, Vahagn was identified with the Hellnic deity Heracles, but also rarely with Apollo.[1]
Name[edit]
The theonym Vahagn is cognates with Verethragna, the name of the Indo-Iranian god of victory mentioned in Avesta, as well as the Vedic Vŗtrahan, the usual epithet of the thunder god Indra.[1] It was borrowed into Armenian from Parthian *Varhraγn and developed from the earlier form *Varhagn.[8] In the old Armenian calendar, the twenty-seventh day of the month was called Vahagn.[3] Additionally, the planet Mars was called Atraher ("fire-hair") by the ancient Armenians in reference to Vahagn.[3] Today, Vahagn is used as a male given name among Armenians.
Historical attestations[edit]
Vahagn is mentioned in a number of Classical Armenian written sources.[4] For example, in the history attributed to Agathangelos, Armenian king Tiridates III evokes the triad of Aramazd, Anahit and Vahagn in a greeting to his people: "May health and prosperity come to you by the help of the gods, rich fullness from manly Aramazd, providence from Anahit the Lady, and bravery come to you from brave Vahagn."[9]
Historian Movses Khorenatsi refers to Vahagn as one of the sons of Tigranes (a mythologized composite figure of several Armenian kings in Khorenatsi's history) and records the following song about him:[10][8]
Original Classical Armenian
Երկնէր երկին, երկնէր երկիր,
երկնէր և ծովն ծիրանի.
երկն ի ծովուն ունէր և
զկարմրիկն եղեգնիկ.
ընդ եղեգան փող ծուխ ելանէր,
ընդ եղեգան փող բոց ելանէր.
և ի բոցոյն վազէր
խարտեաշ պատանեկիկ.
նա հուր հեր ունէր,
… բոց ունէր մօրուս,
և աչկունքն էին արեգակունք: Transliteration
Erknēr erkin, erknēr erkir,
erknēr ew covn cirani.
erkn i covun unēr ew
zkarmrikn ełegnik.
ənd ełegan p῾oł cux elanēr,
ənd ełegan p῾oł boc῾ elanēr.
ew i boc῾oyn vazēr
xarteaš patanekik.
na hur her unēr,
… boc῾ unēr môrus,
ew ač῾kunk῾n ēin aregakunk῾: English translation by Vyacheslav Ivanov
Heaven was in labor, earth was in labor,
the purple sea was also in labor;
in the sea labor pangs also held
the little red reed.
Along the reed-pipe smoke ascended,
Along the reed-pipe flame ascended.
And from the flame
a red-headed young boy jumped out.
He had (celestial) fire for hair,
and had flame for beard,
and his eyes were suns.
Khorenatsi does not give the rest of the song, but states that it tells of how Vahagn fought and conquered vishaps, which are the dragons of Armenian mythology.[10] This attribute of Vahagn is the reason for his title vishapakagh, meaning "reaper of vishaps" or "dragon-reaper."
Old English, from ecclesiastical Latin, from Greek amēn, from Hebrew 'āmēn ‘truth, certainty’, used adverbially as expression of agreement, and adopted in the Septuagint as a solemn expression of belief or affirmation.
MN, M&N SOUNDED MIN/MEN/MUN/MON. THE FIRST EGYPTIAN GOD IMN OR MIN, LATER FROM THE GREEK AMON/AMUN/AMEN AND HINDI MANU THE FISH AVATAR.
The Hebrew root aleph-m-n, at its core means enduring, firm, straight, steadfast, trustworthy, faithful. Often used as a reference to a "master, lord, ruler", and from it is derived the abstract noun mn' for "dominion".
The preposition min ("from," "out of") is perhaps the most versatile of the Hebrew prepositions.
Min · (with verbs of proceeding, removing, expelling) · (of material from which something is made) · (of source or origin). The preposition min ("from," "out of") is perhaps the most versatile of the Hebrew prepositions, appearing both as an independent preposition and as an inseparable preposition. In addition, min is used to form comparative, superlative, and "partitive" grammatical constructions.
Genesis 1 reveals a marvelous insight into biology—God originally created all plants and animals according to their “kinds” (mîn in Hebrew). The context points to the meaning. God wrote on the tablets of the Ten Commandments that His creation—including all it contains—was completed within just six 24-hour days:
The Mem separate from the n, is believed to derive from the Egyptian hieroglyphic symbol for water, which had been simplified by the Phoenicians and named after their word for "water", mem, and in Hebrew the letter Mem is water ultimately coming from Proto-Semitic *may-. Mayim מים, refers to the waters of wisdom, knowledge, the Torah. In the Sefer Yetzirah, the letter Mem is King over Water, Formed Earth in the Universe, Cold in the Year, and the Belly in the Soul. Representing both waters and manifestation, it is the ability to dive deep into the wisdom. It is said that in every person is the thirst for the words of the Creator, which are the waters of life. The open mem refers to the revealed aspects of providence, while the closed mem refers to the concealed part of the celestial rule that nonetheless guides us and all of existence. The mem is about balanced emotions – balancing the watery motions of our feelings. And it is about humility – water is the substance that always runs downhill to the lowest place. Nun is believed to be derived from an Egyptian hieroglyph of a snake (the Hebrew word for snake, nachash begins with a Nun) or eel. Some[citation needed] have hypothesized a hieroglyph of fish in water as its origin (In Aramaic and Akkadian nun means fish, and in Arabic, nūn means large fish or whale). The Phoenician letter was named nūn "fish", but the glyph has been suggested to descend from a hypothetical Proto-Canaanite naḥš "snake", based on the name in Ethiopic, ultimately from a hieroglyph representing a snake,
The Nuun in Hebrew is the symbol of faithfulness (ne’eman נאמן), soul (Neshama נשמה), and emergence. The nuun stands for humility, as it is bent both above and below. It represents the soul Neshama, the heavenly spark housed in the earthly container of the body. In Aramaic, Nuun means fish, so Nuun can be thought of as the fish that swims in the waters of the Torah, represented by Mem מ. It is connected to fertility, continuity and the ability to increase and multiply. Nuun also stands for the 50 Gates of Wisdom of Binah.
Nuun indicates constant presence and the humility of the soul. The soul is silent, bent, and humble constantly giving light but staying hidden. Nun shows the relationship between the body, which is impermanent, and the soul, which never dies.
Nun also represents flow, being supple and flexible as is the fish accepting change. Being aware of the inner guide, the Neshama, we need never fear because the Creator is always present with us.
The main root which connects all these words is MN and so underlying all these is the following meaning:
MN – Each species [kind] continues by passing its blood to the following generation, which comes from the parent. There is a belonging here whereby the child ‘belongs’ to the parent. They are the same kind. This is established, it is firm and sure and unchanging. What is portioned out to someone as one kind comes from the same. [i.e. Yahuwshua is Yahuvahs son as he was begotten, yet is Yahuvah himself as Yahuvah is one and whole. Yahuvah is also mankinds father but not through birth, through creation. We too belong to him]. Also the idea of strength through the blood
MWN are those of the same kind that look alike. We could say that the same kind is in actions, and so those who are righteous etc hav a likeness and this likeness is the image of God. Furthermore regarding resprouting, fruits from a particular seed will always look the same as they are of the same kind [of seed]. This will be maintained forever.
Note that a craftsman, AMWN is one who is firm in his talents.MWR means to exchange, recompense, restitution. It also means Myrrh which is used as an exchange due to its monetary value. This may refer to the Jews being cut off from the tree and Yahuwshua sowing seeds for ‘those with ears to listen’, whom he would lay down his life for in exchange for their freedom.
Miniy [Mem, Nun, Yud]
Fate [like apportioning, as an idol]
Fate is unknown.
Mana’
to deny negatively or positively from benefit or from injury, to restrain, withold
Miyn [Mem, Yud, Nun]
To portion out a sort i.e a category of species, kind
It is blood which connects them
Yamiyn [Yud, Mem, Yud, Nun]
The right side, hand of a person [stronger, more dexterous].Hebrew direction has East as in front, West is behind, South is right and North is left. The sun rises to the right, the south. Also has miyn hence implying that there is portioning of a kind. Binyamiyn means the son of the right hand [Benjamin]. This for your information was the name of the youngest son of Jacob aka Israel.
Minleh [Mem, Nun, Lamed, Hei]
Completion in i.e. produce; wealth; perfection
fgroup togehther count those of same kind
Last but not least
Aman – to stand firm as a support. A pillar which is something which grabs hold or supports something else. It is the passing of skill or strength to the next generation and a large number of the same kind are stronger than one.
MWR means to exchange, recompense, restitution. It also means Myrrh which is used as an exchange due to its monetary value. This may refer to the Jews being cut off from the tree and Yahuwshua sowing seeds for ‘those with ears to listen’, whom he would lay down his life for in exchange for their freedom.
Miniy [Mem, Nun, Yud]
Fate [like apportioning, as an idol]
Fate is unknown.
Mana’
to deny negatively or positively from benefit or from injury, to restrain, withold
Miyn [Mem, Yud, Nun]
To portion out a sort i.e a category of species, kind
It is blood which connects them
Yamiyn [Yud, Mem, Yud, Nun]
The right side, hand of a person [stronger, more dexterous].Hebrew direction has East as in front, West is behind, South is right and North is left. The sun rises to the right, the south. Also has miyn hence implying that there is portioning of a kind. Binyamiyn means the son of the right hand [Benjamin]. This for your information was the name of the youngest son of Jacob aka Israel.
Minleh [Mem, Nun, Lamed, Hei]
Completion in i.e. produce; wealth; perfection
fgroup togehther count those of same kind
Last but not least
Aman – to stand firm as a support. A pillar which is something which grabs hold or supports something else. It is the passing of skill or strength to the next generation and a large number of the same kind are stronger than one.
The name "Yemen" is derived from the Arabic word "al-Yaman", which means "the right side" or "the south". This likely refers to the fact that Yemen is located to the south of the Arabian Peninsula. The earliest known reference to the region of Yemen is in the Old Testament of the Bible, where it is referred to as "Kedar" and "Sheba".
The Hebrew word 'yamin' meaning 'south' is not directly related to the name of the state of Yemen. The name "Yemen" is derived from the Arabic word "al-Yaman" which means "the right side" or "the south". This name was used to refer to the southern region of the Arabian Peninsula, which includes present-day Yemen as well as parts of present-day Oman and Saudi Arabia.
Yemenite Hebrew (Hebrew: עִבְרִית תֵּימָנִית ʿĪvrīṯ Tēmŏnīṯ), also referred to as Temani Hebrew, is the pronunciation system for Hebrew traditionally used by Yemenite Jews. Yemenite Hebrew has been studied by language scholars, many of whom believe it to retain older phonetic and grammatical features lost elsewhere. [1] Yemenite speakers of Hebrew have garnered considerable praise from language purists because of their use of grammatical features from classical Hebrew. Tunisian rabbi and scholar, Rabbi Meir Mazuz, once said of Yemenites that they are good grammarians.[2]the word first appears in the Torah, where it refers to a place in Israel’s desert – in the south.
The origin of the word Yemen could mean son of the right hand. Yamin as a boy's name is of Hebrew origin meaning "son of the right hand". Another source claims that Yemen is related to yamn or yumn, meaning "felicity" or "blessed",and they say it was adopted because much of the country is fertile. Romans called it Arabia Felix ("happy" or "fortunate" Arabia").
IMN, the name Amun (written imn) in the Old Egyptian Pyramid Textsmeant something like "the hidden one" or "invisible".
Amun (US: /ˈɑːmən/; also Amon, Ammon; Ancient. Egyptian: jmn, Coptic: Ⲁⲙⲟⲩⲛ, romanized: Amoun; Greek Ἄμμων Ámmōn, Ἅμμων Hámmōn; Phoenician: 𐤀𐤌𐤍,[1] romanized: ʾmn) was a major ancient Egyptian deity who appears as a member of the Hermopolitan Ogdoad. Amun was attested from the Old Kingdom together with his wife Amunet. With the 11th Dynasty (c. 21st century BC), Amun rose to the position of patron deity of Thebes by replacing Montu.
mn (“to endure”) shortened from mn-nfr-ppy (“the pyramid of Pepy”), from mn (“to endure”) + nfr(w) (“beauty”) + ppy (“Pepy”), thus suggesting that the ‘The beauty of Pepy endures’, in the form of the pyramid. Senet board mn 𓏠. "Mn"-(or men), definitions center around permanence, enduring, continuity, constancy, perpetuity. A common Pharaonic epithet was: Mn-Kheper-Ra, but many names using "mn" as a name component.
The word menorah comes from a Semitic root meaning "to shine."
The Menorah is A Symbol of Light. A Menorah is an everlasting light, like an oil lamp that was never supposed to go out.
Etymology is from Hebrew מְנוֹרָה (m'norá). From the same Proto-Semitic root *nūr- (“fire”) as minaret. Etymology of Minaret was first attested in 1682. Borrowed from French minaret, from Ottoman Turkish minare, from Arabic مَنَارَة (manāra, “lighthouse”). The borrowing could be from the same Proto-Semitic root *nūr- (“fire”) as in menorah.
Let me start with the famous poem by Rumi (Jalal ad-Din Mohammad Balkhi, 1207-1273). Rumi who was also a philosopher wrote in the Persian language and in his poem “Listen to the reed” he used the reed as the metaphor for the soul, the soul of the perfect man. Even before Rumi, other Sufies and theosophists had used the reed as symbole of the soul of a human being who complains of separation from that spiritual world before enlivening Adam’s body.
There have been many translation of this poem into English. My analysis or interpretation takes into acount the theosophical terminologies that are in the Redhouse translation.
In Islamic theosophy, mankind is composed of the soul and body. The soul is the part of the Holy Spirit that the God blew into the first man Adam. Theosophists like Rumi I believe tap into an ancient tradition when they use the original symbol for the reed as the symbol, the metaphor of the spirit that the human forms the human soul. Like the single reed in the poem that sings the rueful song of Separation from the mother soul or as whitehead will have it the oversoul. The lines “From jungle-bed since me they tore, men's, women's, eyes have wept right sore.” where “jungle-bed” is the metaphor for the main source of the Spirit where the individual soul originated. This suggests that the frail soul of the one,wails for it has been separated from the All, the Holy Spirit in Islam and Chritianity and longs to return to its home.
and only a reed, like a heart torn by the pains of separation and loneliness, can tell the tale of the joyful moment of the reunion (of human soul) with the oversoul.
It is humans nature to want to know its origin. In the fourth verse Rumi make this point very clear. For he suggests that everyone who relates to the reed that has been severed from his roots and origin, will finally, one day return and unite with his origin.
The Interpretation of the line in the poem “Whole seas a fish will never drown;" Rumi I believe emphasizes that the spirit like love is the source of life for a lover is like a fish that never.
𓇋 Reed leaf Phono. i. Phono. y, when doubled.
become waterlogged or quenched or drowns in the water.
Rumi’s infinite art in this poem is everlasting for he brings forward and gives life an ancient mystic thought, a phylosophy, the reed as the metaphor, the protagonist in a poem, a story that cultivates the hope and desires of humanity a vision for mankind.
Yod plays the most important role in the act of Creation. According to the Kabbalah yod depicts all the ten sephiroth and represents the sephira Chokmah. Every Hebrew letter is made up from this letter yod and all of the letters of the Hebrew alphabet were used in the creation of the world; in other words, language develops at the same time as spirituality involutes into the manifestation. Yod is thus the cause of all causes.
Take the Hebrew word שמים shamayim, for firmament, heaven (the abode of God) which is also sky, abode of the stars, the visible universe or atmosphere. Shamaim (Shin, Mem, Yod, Mem final) is an aggregation of two words, Aish (fire) and Maim (water), notice both words contain the yod, the sound /ai/. Yod has an an elegent image, looks like a tiny drop of water or a flame (energy) that is about to descend or assend. Yod is represented as a mere dot in Hebrew an iota in Greek and the i in English and whichever image all three allude to the same phone and I offer are at origin represent the sound that signified the idea of the spirit as signified by the reed in ancient Egyptian Heiroglyphs. Yod I posit however represented by a reed or a dot, or a speck, is the point in which all the divine energy or the spirit of Creation is concentrated.
The firmament is a combination of the spiritual fire and the spiritual water. The creation of the “firmament” is obviously important; It is said that God divided the waters from the heavens. The firmamentit is part of the cosmic structure created by the spirit always represented by the sound /ai/, signified by the letter yod in Hebrew. Yod means “arm” or “hand” (as in hand of the Creator). This sound plays the most important role in the creation of language as well as the acts of Creation. Yod, being the smallest letter of the Hebrew alphabet, is said to represent the spiritual, all which is beyond the physical. Even though Yod is the smallest letter of the Hebrew alphabet, it is said to be still the highest, the greatest, the most majestic concept man can imagine, for the idea of a Creator, is represented by this letter. All the light, life, creative energy, all are expressed through the sound of the letter Yod. Those who advance spiritually come to understand this concept. In minuteness lies the essence. This letter and the rest of our alphabet is considered to be ancient, mystical and sacred, said to have been given to man complete with eack sound and its original meaning, for it represents the sounds of the forces that were used in creating of names for the phenomena we experiece as the Universe, all transliterated into an alphabet that can be worked by us to create with.
The letter Yod has the numerical value of 10, everything we do originates in our thoughts,
and 10 represents completion. Ten brings to mind the Pythagorean Triangle, Tetractys, consisting of an equilateral Triangle enclosing one can say ten Yods. Thus the upper is the Monad, the second line the Dyad, the third the Triad, and the fourth the Quaternary or Tetrad thus representing the four forms of point, line, superficies and solid.
The letter J coresponds to the letter yod of the Hebrew alphabet, meaning hands, the hands of God who created everything. In other words the yod/spirit, the symbol of everything, represented by the dot that represented the hand that created all represented by the dot, the oneness and unity of everything, the spirit, the soul the one the all. The cause of all causes.
Why do all the names of Hebrew messengers of God start with the letter J, or rather the phone/sound ya, like Jesus, Jacob, John, Joseph etc. the answer is because they are all spiritually endowed with the power of God.
J also signifies the 'light' the divine spark of light in each and every living thing, which is why the yod is said to represent the 'flame' rather the light it emmitted, enlightenment, conciousness, or the spiritual 'eye' that sees beyond the physical, three dimentional world. The light of the dawn, represented by the sound /aya/ and the name of the Goddess of Dawn of the Sumerian, Akkadian and Armenian languages.
Finally last but not least, in the Egyptian school of esotericism, the letter J or the sound /ai/ or /ia/ is said to represent the beard of IMN and later OSIRIS. This is very reminicent od the reed flower which blows in the wind to the natural sound of /yyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyy/.
Aeolian, sound is produced by wind when it encounters an obstacle. Fixed objects, such as reeds cause constant sounds called Aeolian tones. A wind that flows over a reed produces a sound the frequency (pitch) of which is a function of wind speed and the diameter of that reed.
The inner ear: The common use of the sense of hearingis as the medium of interpretation of sounds, whether of nature or of the articulate expression of fellow-men, and by further reference and deeper analogy, - the inner ear- stands as the avenue through which Divine or Spiritual communications may pass to the soul. The metaphor of the ear both in the bible but more so in literiture occurs almost as frequently as the eye, for the ear is the symbol of obedience. Writers of the Old and New Testaments fasten great attention upon the sense of hearing. The metaphor of the "ear" when found in the New Testament is commonly discovered in settings of Old Testament passages.
In John 3:8, Jesus is quoted as saying. 'You hear [the winds] sound, but you cannot tell where it comes from or where it is going. So it is with everyone born of the Spirit.' Wind, is "a current of air, of any degree of force perceptible to the senses, occurring naturally in the atmosphere,"
The ear is alsa an ancient symbol, in very early mythologies it was associated with the female genital organ through the ear both conception and birth was said to tale place. In Indian mythology for example the Sun-god had intercourse with a virgin through the ear.
The inner ear:
The common use of the sense of hearingis as the medium for the interpretation of sounds, whether of nature or of the articulate expression of fellow-men. By further reference and deeper analogy, - the inner ear- stands as the avenue through which Divine or Spiritual communications may pass to the soul. One might suppose, the metaphor of the ear both in the bible but more so with the poet the ear would occur almost as frequently as the eye, if not definatly more than of any other sense for the ear is the symbol of obedience.
So the question is whether an ear is part of the inside or the outside of a body. One of the most famous invocations of the ear is, Antony’s "Friends, Romans, countrymen, lend me your ears!" (3.2.65) in Julius Caesar. Antony’s rhetorical display is one of the clearest examples of that persuasion is a powerful force.
The sound for the letter/ia/ and the sound /ai/ signify the the spirit, the liminal space of the unknown and unknowable.
I first came across the positioning of the five vowels a o u e i in a cyclic order in the book by R.Graves named the white Goddess where birth was signified by the vowel 'a' sound 'aaa' and the 'i' vowel signified death sound 'iii'
So the question is " Was the way that language was originally structured have anything to do with the way we hear sound with our inner ear and react to it.
" Paradox vs Juxtaposition" "Paradime"
Juxtaposition is a broad term and paradox can be viewed as a type of juxtaposition.
Paradox and juxtaposition are two figures of speech that involve two contradictory elements. Juxtaposing is a literary device in which two opposing or contrasting elements are placed side by side in order to highlight their similarities and differences. Paradox is a phrase or sentence where two contrasting ideas are used in order to reveal a hidden truth. This is the main difference between paradox and juxtaposition.
A Paradox is a phrase or sentence where two contrasting ideas are used in order to reveal a hidden truth and that truth from time ememorial is life/death.
A paradox is a seemingly absurd or contradictory statement or proposition which when investigated may reveal a hidden or unexpected truth or prove to be well founded or true. In simple logic the reverse ordering of this statement also describes a paradox. For example, Dead things cannot be alive or living things cannot be dead.
Life and death are mutually exclusive properties and since objects cannot possess both properties simultaneously. Life or a living thing cannot be dead and a dead thing alive.
So since Life and Death cannot be unified in any existential state.
Yes a living thing is dying in being but a thing cannot be both “Death and Life” both do not exist in coherent terms.
Death is a paradox for death in life comes to everyone and nobody can communicate about death by drawing upon his or her own experience.When we examine the words Paradox & Paradigm which come into English from Greek, we Paradox: A statement or proposition that seems/is or signifies anything that is contradictory yet complimentary. Something that in nature/truth/reality, makes no sense. Polar opposites. A paradox is a thing, exhibiting a contradicting nature.
Paradigm: An example, serving as a pattern or model. A framework containing the basic assumptions, ways of thinking, and methodology that are commonly accepted by members of any field of study. A cognitive framework shared by members of any discipline or group.
Although I am not aware of these two terms being merged in the sense I am using, a plausible definition for paradoxical paradigm I would propose would go something like this: “Any set of assumptions constituting a way of interpreting reality that may seem self-contradictory, but which could express a possible truth.”“Paradoxical Paradigm”.
Paradox: A statement or proposition that seems self-contradictory or absurd, but in reality, expresses a possible truth. Any person, thing, or situation exhibiting an apparently self-contradicting nature.
Paradigm: An example, serving as a pattern or model. A framework containing the basic assumptions, ways of thinking, and methodology that are commonly accepted by members of any field of study. A cognitive framework shared by members of any discipline or group.
Although I am not aware of these two terms being merged in the sense I am using, a plausible definition for paradoxical paradigm I would propose would go something like this: “Any set of assumptions constituting a way of interpreting reality that may seem self-contradictory, but which could express a possible truth.”VAHAGN AND THE REED OF FIRE AND WATER
Vahagn or Vahakn (Armenian: Վահագն), also known as Vahagn Vishapakagh (Վահագն Վիշապաքաղ, 'Vahagn the Dragon-reaper'), is a warrior god in Armenian mythology.[1] Scholars consider him to be either the thunder, or sun and fire god of the pre-Christian Armenian pantheon, as well as the god of war, bravery and victory.[2][3] He formed a triad with Aramazd and Anahit.[4] Vahagn is etymologically derived from *Varhraγn, the Parthian name for the Indo-Iranian god Verethragna, although there are key differences between the two deities.[5]
Vahagn was worshipped at a tripartite temple complex together with his bride Astghik and the goddess Anahit in the district of Taron, on the slopes of a mountain called Karke near the settlement of Ashtishat.[3][6][7] After Armenia came under Hellenistic influence in antiquity, Vahagn was identified with the Hellnic deity Heracles, but also rarely with Apollo.[1]
Name[edit]
The theonym Vahagn is cognates with Verethragna, the name of the Indo-Iranian god of victory mentioned in Avesta, as well as the Vedic Vŗtrahan, the usual epithet of the thunder god Indra.[1] It was borrowed into Armenian from Parthian *Varhraγn and developed from the earlier form *Varhagn.[8] In the old Armenian calendar, the twenty-seventh day of the month was called Vahagn.[3] Additionally, the planet Mars was called Atraher ("fire-hair") by the ancient Armenians in reference to Vahagn.[3] Today, Vahagn is used as a male given name among Armenians.
Historical attestations[edit]
Vahagn is mentioned in a number of Classical Armenian written sources.[4] For example, in the history attributed to Agathangelos, Armenian king Tiridates III evokes the triad of Aramazd, Anahit and Vahagn in a greeting to his people: "May health and prosperity come to you by the help of the gods, rich fullness from manly Aramazd, providence from Anahit the Lady, and bravery come to you from brave Vahagn."[9]
Historian Movses Khorenatsi refers to Vahagn as one of the sons of Tigranes (a mythologized composite figure of several Armenian kings in Khorenatsi's history) and records the following song about him:[10][8]
Original Classical Armenian
Երկնէր երկին, երկնէր երկիր,
երկնէր և ծովն ծիրանի.
երկն ի ծովուն ունէր և
զկարմրիկն եղեգնիկ.
ընդ եղեգան փող ծուխ ելանէր,
ընդ եղեգան փող բոց ելանէր.
և ի բոցոյն վազէր
խարտեաշ պատանեկիկ.
նա հուր հեր ունէր,
… բոց ունէր մօրուս,
և աչկունքն էին արեգակունք: Transliteration
Erknēr erkin, erknēr erkir,
erknēr ew covn cirani.
erkn i covun unēr ew
zkarmrikn ełegnik.
ənd ełegan p῾oł cux elanēr,
ənd ełegan p῾oł boc῾ elanēr.
ew i boc῾oyn vazēr
xarteaš patanekik.
na hur her unēr,
… boc῾ unēr môrus,
ew ač῾kunk῾n ēin aregakunk῾: English translation by Vyacheslav Ivanov
Heaven was in labor, earth was in labor,
the purple sea was also in labor;
in the sea labor pangs also held
the little red reed.
Along the reed-pipe smoke ascended,
Along the reed-pipe flame ascended.
And from the flame
a red-headed young boy jumped out.
He had (celestial) fire for hair,
and had flame for beard,
and his eyes were suns.
Khorenatsi does not give the rest of the song, but states that it tells of how Vahagn fought and conquered vishaps, which are the dragons of Armenian mythology.[10] This attribute of Vahagn is the reason for his title vishapakagh, meaning "reaper of vishaps" or "dragon-reaper."
Old English, from ecclesiastical Latin, from Greek amēn, from Hebrew 'āmēn ‘truth, certainty’, used adverbially as expression of agreement, and adopted in the Septuagint as a solemn expression of belief or affirmation.
MN, M&N SOUNDED MIN/MEN/MUN/MON. THE FIRST EGYPTIAN GOD IMN OR MIN, LATER FROM THE GREEK AMON/AMUN/AMEN AND HINDI MANU THE FISH AVATAR.
The Hebrew root aleph-m-n, at its core means enduring, firm, straight, steadfast, trustworthy, faithful. Often used as a reference to a "master, lord, ruler", and from it is derived the abstract noun mn' for "dominion".
The preposition min ("from," "out of") is perhaps the most versatile of the Hebrew prepositions.
Min · (with verbs of proceeding, removing, expelling) · (of material from which something is made) · (of source or origin). The preposition min ("from," "out of") is perhaps the most versatile of the Hebrew prepositions, appearing both as an independent preposition and as an inseparable preposition. In addition, min is used to form comparative, superlative, and "partitive" grammatical constructions.
Genesis 1 reveals a marvelous insight into biology—God originally created all plants and animals according to their “kinds” (mîn in Hebrew). The context points to the meaning. God wrote on the tablets of the Ten Commandments that His creation—including all it contains—was completed within just six 24-hour days:
The Mem separate from the n, is believed to derive from the Egyptian hieroglyphic symbol for water, which had been simplified by the Phoenicians and named after their word for "water", mem, and in Hebrew the letter Mem is water ultimately coming from Proto-Semitic *may-. Mayim מים, refers to the waters of wisdom, knowledge, the Torah. In the Sefer Yetzirah, the letter Mem is King over Water, Formed Earth in the Universe, Cold in the Year, and the Belly in the Soul. Representing both waters and manifestation, it is the ability to dive deep into the wisdom. It is said that in every person is the thirst for the words of the Creator, which are the waters of life. The open mem refers to the revealed aspects of providence, while the closed mem refers to the concealed part of the celestial rule that nonetheless guides us and all of existence. The mem is about balanced emotions – balancing the watery motions of our feelings. And it is about humility – water is the substance that always runs downhill to the lowest place. Nun is believed to be derived from an Egyptian hieroglyph of a snake (the Hebrew word for snake, nachash begins with a Nun) or eel. Some[citation needed] have hypothesized a hieroglyph of fish in water as its origin (In Aramaic and Akkadian nun means fish, and in Arabic, nūn means large fish or whale). The Phoenician letter was named nūn "fish", but the glyph has been suggested to descend from a hypothetical Proto-Canaanite naḥš "snake", based on the name in Ethiopic, ultimately from a hieroglyph representing a snake,
The Nuun in Hebrew is the symbol of faithfulness (ne’eman נאמן), soul (Neshama נשמה), and emergence. The nuun stands for humility, as it is bent both above and below. It represents the soul Neshama, the heavenly spark housed in the earthly container of the body. In Aramaic, Nuun means fish, so Nuun can be thought of as the fish that swims in the waters of the Torah, represented by Mem מ. It is connected to fertility, continuity and the ability to increase and multiply. Nuun also stands for the 50 Gates of Wisdom of Binah.
Nuun indicates constant presence and the humility of the soul. The soul is silent, bent, and humble constantly giving light but staying hidden. Nun shows the relationship between the body, which is impermanent, and the soul, which never dies.
Nun also represents flow, being supple and flexible as is the fish accepting change. Being aware of the inner guide, the Neshama, we need never fear because the Creator is always present with us.
The main root which connects all these words is MN and so underlying all these is the following meaning:
MN – Each species [kind] continues by passing its blood to the following generation, which comes from the parent. There is a belonging here whereby the child ‘belongs’ to the parent. They are the same kind. This is established, it is firm and sure and unchanging. What is portioned out to someone as one kind comes from the same. [i.e. Yahuwshua is Yahuvahs son as he was begotten, yet is Yahuvah himself as Yahuvah is one and whole. Yahuvah is also mankinds father but not through birth, through creation. We too belong to him]. Also the idea of strength through the blood
MWN are those of the same kind that look alike. We could say that the same kind is in actions, and so those who are righteous etc hav a likeness and this likeness is the image of God. Furthermore regarding resprouting, fruits from a particular seed will always look the same as they are of the same kind [of seed]. This will be maintained forever.
Note that a craftsman, AMWN is one who is firm in his talents.MWR means to exchange, recompense, restitution. It also means Myrrh which is used as an exchange due to its monetary value. This may refer to the Jews being cut off from the tree and Yahuwshua sowing seeds for ‘those with ears to listen’, whom he would lay down his life for in exchange for their freedom.
Miniy [Mem, Nun, Yud]
Fate [like apportioning, as an idol]
Fate is unknown.
Mana’
to deny negatively or positively from benefit or from injury, to restrain, withold
Miyn [Mem, Yud, Nun]
To portion out a sort i.e a category of species, kind
It is blood which connects them
Yamiyn [Yud, Mem, Yud, Nun]
The right side, hand of a person [stronger, more dexterous].Hebrew direction has East as in front, West is behind, South is right and North is left. The sun rises to the right, the south. Also has miyn hence implying that there is portioning of a kind. Binyamiyn means the son of the right hand [Benjamin]. This for your information was the name of the youngest son of Jacob aka Israel.
Minleh [Mem, Nun, Lamed, Hei]
Completion in i.e. produce; wealth; perfection
fgroup togehther count those of same kind
Last but not least
Aman – to stand firm as a support. A pillar which is something which grabs hold or supports something else. It is the passing of skill or strength to the next generation and a large number of the same kind are stronger than one.
MWR means to exchange, recompense, restitution. It also means Myrrh which is used as an exchange due to its monetary value. This may refer to the Jews being cut off from the tree and Yahuwshua sowing seeds for ‘those with ears to listen’, whom he would lay down his life for in exchange for their freedom.
Miniy [Mem, Nun, Yud]
Fate [like apportioning, as an idol]
Fate is unknown.
Mana’
to deny negatively or positively from benefit or from injury, to restrain, withold
Miyn [Mem, Yud, Nun]
To portion out a sort i.e a category of species, kind
It is blood which connects them
Yamiyn [Yud, Mem, Yud, Nun]
The right side, hand of a person [stronger, more dexterous].Hebrew direction has East as in front, West is behind, South is right and North is left. The sun rises to the right, the south. Also has miyn hence implying that there is portioning of a kind. Binyamiyn means the son of the right hand [Benjamin]. This for your information was the name of the youngest son of Jacob aka Israel.
Minleh [Mem, Nun, Lamed, Hei]
Completion in i.e. produce; wealth; perfection
fgroup togehther count those of same kind
Last but not least
Aman – to stand firm as a support. A pillar which is something which grabs hold or supports something else. It is the passing of skill or strength to the next generation and a large number of the same kind are stronger than one.
The name "Yemen" is derived from the Arabic word "al-Yaman", which means "the right side" or "the south". This likely refers to the fact that Yemen is located to the south of the Arabian Peninsula. The earliest known reference to the region of Yemen is in the Old Testament of the Bible, where it is referred to as "Kedar" and "Sheba".
The Hebrew word 'yamin' meaning 'south' is not directly related to the name of the state of Yemen. The name "Yemen" is derived from the Arabic word "al-Yaman" which means "the right side" or "the south". This name was used to refer to the southern region of the Arabian Peninsula, which includes present-day Yemen as well as parts of present-day Oman and Saudi Arabia.
Yemenite Hebrew (Hebrew: עִבְרִית תֵּימָנִית ʿĪvrīṯ Tēmŏnīṯ), also referred to as Temani Hebrew, is the pronunciation system for Hebrew traditionally used by Yemenite Jews. Yemenite Hebrew has been studied by language scholars, many of whom believe it to retain older phonetic and grammatical features lost elsewhere. [1] Yemenite speakers of Hebrew have garnered considerable praise from language purists because of their use of grammatical features from classical Hebrew. Tunisian rabbi and scholar, Rabbi Meir Mazuz, once said of Yemenites that they are good grammarians.[2]the word first appears in the Torah, where it refers to a place in Israel’s desert – in the south.
The origin of the word Yemen could mean son of the right hand. Yamin as a boy's name is of Hebrew origin meaning "son of the right hand". Another source claims that Yemen is related to yamn or yumn, meaning "felicity" or "blessed",and they say it was adopted because much of the country is fertile. Romans called it Arabia Felix ("happy" or "fortunate" Arabia").
IMN, the name Amun (written imn) in the Old Egyptian Pyramid Textsmeant something like "the hidden one" or "invisible".
Amun (US: /ˈɑːmən/; also Amon, Ammon; Ancient. Egyptian: jmn, Coptic: Ⲁⲙⲟⲩⲛ, romanized: Amoun; Greek Ἄμμων Ámmōn, Ἅμμων Hámmōn; Phoenician: 𐤀𐤌𐤍,[1] romanized: ʾmn) was a major ancient Egyptian deity who appears as a member of the Hermopolitan Ogdoad. Amun was attested from the Old Kingdom together with his wife Amunet. With the 11th Dynasty (c. 21st century BC), Amun rose to the position of patron deity of Thebes by replacing Montu.
mn (“to endure”) shortened from mn-nfr-ppy (“the pyramid of Pepy”), from mn (“to endure”) + nfr(w) (“beauty”) + ppy (“Pepy”), thus suggesting that the ‘The beauty of Pepy endures’, in the form of the pyramid. Senet board mn 𓏠. "Mn"-(or men), definitions center around permanence, enduring, continuity, constancy, perpetuity. A common Pharaonic epithet was: Mn-Kheper-Ra, but many names using "mn" as a name component.
The word menorah comes from a Semitic root meaning "to shine."
The Menorah is A Symbol of Light. A Menorah is an everlasting light, like an oil lamp that was never supposed to go out.
Etymology is from Hebrew מְנוֹרָה (m'norá). From the same Proto-Semitic root *nūr- (“fire”) as minaret. Etymology of Minaret was first attested in 1682. Borrowed from French minaret, from Ottoman Turkish minare, from Arabic مَنَارَة (manāra, “lighthouse”). The borrowing could be from the same Proto-Semitic root *nūr- (“fire”) as in menorah.
The menorah (/məˈnɔːrə/; Hebrew: מְנוֹרָה mənōrā, Hebrew pronunciation: [menoˈʁa]) is a seven-branched candelabrum that is described in the Hebrew Bible and in later ancient sources as having been used in the Tabernacle and in the Temple in Jerusalem. Since ancient times, it has served as a symbol representing the Jewish people and Judaism in both the Land of Israel and the Diaspora. It eventually became the State of Israel's official emblem after its founding in 1948.Biblical tradition holds that Solomon's Temple was home to ten menorahs, which were later plundered by the Babylonians;The Hanukkah menorah, a nine-branched variant of the menorah, is closely associated with the Jewish festival of Hanukkah.According to the Book of Exodus, the lamps of the menorah were lit daily from fresh, consecrated olive oil and burned from evening until morning.[15]Contrary to some modern designs, the ancient menorah burned oil and did not contain anything resembling candles, which were unknown in the Middle East until about 400 CE. According to Clement of Alexandria and Philo Judaeus, the seven lamps of the golden menorah represented the seven classical planets in this order: the Moon, Mercury, Venus, the Sun, Mars, Jupiter, and Saturn.
There are varying liturgical practices, and usually all seven lamps are lit for the services, though sometimes only the three centermost are lit for the lesser services. If the church does not have a sanctuary lamp the centermost lamp of the seven lamps may remain lit as an eternal flame. An eternal flame is a flame, lamp or torch that burns for an indefinite time.
The vital and indispensable flowering fresh-water reed of ancient Egypt which grew in great abundance along the banks and in the marshes was watered by the great Nile River. The stately, green plant was called djet or tjufi by the ancient Egyptians. The papyrus reed was used as a universal material, like the bamboo or the coco-nut palm by other nations, it was the a substitute for wood, which was never plentiful. Papyrus is one of the most ancient plants known to humankind. Egypt is believed to be its place of origin. The tall, willowy plant predates the Dynastic Period. Thanks to the high level of their cultural development, the ancient Egyptians, so attuned to their natural environment, were able to uncover all of its merits and potentialities for practical useage. Throughout the dynastic periods, papyrus must have brought nothing but great satisfaction and benefits to the Pharaoh and his creative people. According to the ancient Greek historian Herodotus, circa 450 BC, papyrus was “plucked from the marshes, the top cut off and turned to other ends, and the lower part…eaten or sold.”2. We have an early statement from the Roman naturalist Pliny the Elder (AD 23-29), who wrote about the plant growing in the marshes and sluggish waters of the Nile to a height of fifteen feet in Book XIII, 71, of his encyclopedic Natural History.
Our English word "paper", is derived from the word "papyrus", an Egyptian word that originally meant "that which belongs to the house" (the bureaucracy of ancient Egypt). At about the same time as the ancient Egyptians moved from prehistory to history by developing a written language, they discovered the need for a medium other than stone to transcribe upon. They found this in their papyrus plant, a triangular reed which symbolized ancient lower Egypt. It was light, strong, thin, durable and easy to carry, and for thousands of years, there was nothing better for the purpose of writing. The earliest extant documented papyrus comes from Egypt's 1st Dynasty, but we believe it may have been used as early as 4,000.Check (also checker, Brit: chequer) is a pattern of modified stripes consisting of crossed horizontal and vertical lines which form squares. The pattern typically contains two colours where a single checker (that is a single square within the check pattern) is surrounded on all four sides by a checker of a different colour.
Checkered flooring has become a de facto sign of Freemasons and signifies some member's connection to biblical parables and morals. It also links to the lectures and teachings pertaining to the construction of Solomon's Temple. The checkerd headscarf is worn by Arabs, Kurds and Yazidis also wear this headpiece. Iraqi Turkmen also wear the headpiece, and call it Jamadani. Ja-Ma-Da-Ni.
Checker designs can be found in ancient artifacts, including Iranian ceramic vessels. Bronze Age pottery displayed the staggered square design in pieces from as early as 1500 BC. The design can even be found in ancient Egyptian hieroglyphics in the board game named the senet. Senet or senat (Ancient Egyptian: znt, lit. 'passing';is a board game from ancient Egypt that consists of 10 or more pawns on a 30 square playing board. The earliest representation of senet is dated to c. 2620 BCE from the Mastaba of Hesy-Re, while similar boards and hieroglyphic signs are found even earlier, including in the Levant in the Early Bronze Age II period. Even though the game has a 2000-year history in Egypt, there appears to be very little variation in terms of key components. Fragmentary boards that could be senet have been found in First Dynasty burials in Egypt, c. 3100 BCE. The first unequivocal painting of this ancient game is from the Third Dynasty tomb of Hesy (c. 2686–2613 BCE). People are depicted playing senet in a painting in the tomb of Rashepes, as well as from other tombs of the Fifth and Sixth Dynasties (c. 2500 BCE). There are depictions of individuals such as Tutankhamun and Nefertari (wife of Ramsses II) playing senet in tomb art as well.T
There are varying liturgical practices, and usually all seven lamps are lit for the services, though sometimes only the three centermost are lit for the lesser services. If the church does not have a sanctuary lamp the centermost lamp of the seven lamps may remain lit as an eternal flame. An eternal flame is a flame, lamp or torch that burns for an indefinite time.
The vital and indispensable flowering fresh-water reed of ancient Egypt which grew in great abundance along the banks and in the marshes was watered by the great Nile River. The stately, green plant was called djet or tjufi by the ancient Egyptians. The papyrus reed was used as a universal material, like the bamboo or the coco-nut palm by other nations, it was the a substitute for wood, which was never plentiful. Papyrus is one of the most ancient plants known to humankind. Egypt is believed to be its place of origin. The tall, willowy plant predates the Dynastic Period. Thanks to the high level of their cultural development, the ancient Egyptians, so attuned to their natural environment, were able to uncover all of its merits and potentialities for practical useage. Throughout the dynastic periods, papyrus must have brought nothing but great satisfaction and benefits to the Pharaoh and his creative people. According to the ancient Greek historian Herodotus, circa 450 BC, papyrus was “plucked from the marshes, the top cut off and turned to other ends, and the lower part…eaten or sold.”2. We have an early statement from the Roman naturalist Pliny the Elder (AD 23-29), who wrote about the plant growing in the marshes and sluggish waters of the Nile to a height of fifteen feet in Book XIII, 71, of his encyclopedic Natural History.
Our English word "paper", is derived from the word "papyrus", an Egyptian word that originally meant "that which belongs to the house" (the bureaucracy of ancient Egypt). At about the same time as the ancient Egyptians moved from prehistory to history by developing a written language, they discovered the need for a medium other than stone to transcribe upon. They found this in their papyrus plant, a triangular reed which symbolized ancient lower Egypt. It was light, strong, thin, durable and easy to carry, and for thousands of years, there was nothing better for the purpose of writing. The earliest extant documented papyrus comes from Egypt's 1st Dynasty, but we believe it may have been used as early as 4,000.Check (also checker, Brit: chequer) is a pattern of modified stripes consisting of crossed horizontal and vertical lines which form squares. The pattern typically contains two colours where a single checker (that is a single square within the check pattern) is surrounded on all four sides by a checker of a different colour.
Checkered flooring has become a de facto sign of Freemasons and signifies some member's connection to biblical parables and morals. It also links to the lectures and teachings pertaining to the construction of Solomon's Temple. The checkerd headscarf is worn by Arabs, Kurds and Yazidis also wear this headpiece. Iraqi Turkmen also wear the headpiece, and call it Jamadani. Ja-Ma-Da-Ni.
Checker designs can be found in ancient artifacts, including Iranian ceramic vessels. Bronze Age pottery displayed the staggered square design in pieces from as early as 1500 BC. The design can even be found in ancient Egyptian hieroglyphics in the board game named the senet. Senet or senat (Ancient Egyptian: znt, lit. 'passing';is a board game from ancient Egypt that consists of 10 or more pawns on a 30 square playing board. The earliest representation of senet is dated to c. 2620 BCE from the Mastaba of Hesy-Re, while similar boards and hieroglyphic signs are found even earlier, including in the Levant in the Early Bronze Age II period. Even though the game has a 2000-year history in Egypt, there appears to be very little variation in terms of key components. Fragmentary boards that could be senet have been found in First Dynasty burials in Egypt, c. 3100 BCE. The first unequivocal painting of this ancient game is from the Third Dynasty tomb of Hesy (c. 2686–2613 BCE). People are depicted playing senet in a painting in the tomb of Rashepes, as well as from other tombs of the Fifth and Sixth Dynasties (c. 2500 BCE). There are depictions of individuals such as Tutankhamun and Nefertari (wife of Ramsses II) playing senet in tomb art as well.T
The game was played by moving draughtsmen on a board of 30 squares arranged into three parallel rows of ten squares each. The players strategically moved their pieces based on the throw of sticks or bones. The goal was to reach the edge of the board first. Senet slowly evolved to reflect the religious beliefs of the Egyptians. The pieces represented human souls and their movement was based on the journey of the soul in the afterlife. Each square had a distinct religious significance, with the final square being associated with the union of the soul with the sun god Re-Horakhty.[10] Senet may have also been used in a ritual religious context.
Senet was also adopted in Cyprus around the end of the third millennium BCE and continued until at least the Bronze Age. Senet is depicted in ancient texts, including in Chapter 17 of the Book of the Dead, where the individual who has died plays the game against an invisible opponent.SENET: It is usually thought that the origin of board games goes back thousands of years to the time of primitive people, who invented such games to help them interpret the wishes of the gods.
Senet, found in Predynastic and First Dynasty burials of Egypt, c. 3500 BC and 3100 BC respectively, is the oldest board game known to have existed.[6] Senet was pictured in a fresco painting found in Merknera's tomb (3300–2700 BC).[better source needed][dubious – discuss] Also from predynastic Egypt is mehen.
Hounds and jackals, another ancient Egyptian board game, appeared around 2000 BC. The first complete set of this game was discovered from a Theban tomb that dates to the 13th dynasty. This game was also popular in Mesopotamia and the Caucasus.
Hounds and jackals, another ancient Egyptian board game, appeared around 2000 BC. The first complete set of this game was discovered from a Theban tomb that dates to the 13th dynasty. This game was also popular in Mesopotamia and the Caucasus.
Games are an integral part of all cultures and are one of the oldest forms of human social interaction. Games are formalized expressions of play which allow people to go beyond immediate imagination and direct physical activity. Common features of games include uncertainty of outcome, agreed upon rules, competition, separate place and time, elements of fiction, elements of chance, prescribed goals and personal enjoyment.
The Ney (Persian: Ney/نی, Arabic: Al-Nāy/الناي), is an end-blown flute that figures prominently in Persian music, Turkish music and Arabic music. In some of these musical traditions, it is the only wind instrument used. The ney has been played continually for 4,500–5,000 years in ancient Egypt,[1] making it one of the oldest musical instruments still in use.
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