THE PARADIGM AND PARADOX OF LIFE AI BR CYCLIC ORDER
Let’s start by examining the words Paradox & Paradigm which come into English from Greek.
Paradox: A statement or proposition that seems/is or signifies anything that is contradictory yet complimentary. Something that in nature/truth/reality, makes no sense. Polar opposites. A paradox is a thing, exhibiting a contradicting nature.
Paradigm: An example, serving as a pattern or model. A framework containing the basic assumptions, ways of thinking, and methodology that are commonly accepted by members of any field of study. A cognitive framework shared by members of any discipline or group.
Although I am not aware of these two terms being merged in the sense I am using, a plausible definition for paradoxical paradigm I would propose would go something like this: “Any set of assumptions constituting a way of interpreting reality that may seem self-contradictory, but which could express a possible truth.”“Paradoxical Paradigm”.
Paradox: A statement or proposition that seems self-contradictory or absurd, but in reality, expresses a possible truth. Any person, thing, or situation exhibiting an apparently self-contradicting nature.
Paradigm: An example, serving as a pattern or model. A framework containing the basic assumptions, ways of thinking, and methodology that are commonly accepted by members of any field of study. A cognitive framework shared by members of any discipline or group.
Although I am not aware of these two terms being merged in the sense I am using, a plausible definition for paradoxical paradigm I would propose would go something like this: “Any set of assumptions constituting a way of interpreting reality that may seem self-contradictory, but which could express a possible truth.”
" Paradox vs Juxtaposition"Paradox and juxtaposition are two figures of speech that involve two contradictory elements. Juxtaposing is a literary device in which two opposing or contrasting elements are placed side by side in order to highlight their similarities and differences. Paradox is a phrase or sentence where two contrasting ideas are used in order to reveal a hidden truth. Juxtaposition is a broad term and paradox can be viewed as a type of juxtaposition. This is the main difference between paradox and juxtaposition.
A Paradoxes occur as a result of the ambiguous nature of language arising from the interrelationships between all definitions of words. A paradox is a seemingly absurd or contradictory statement or proposition which when investigated may reveal a hidden or unexpected truth or prove to be well founded or true. In simple logic the reverse ordering of this statement also describes a paradox. For example, Dead things cannot be alive or living things cannot be dead.
By this thinking, time’s demise is no more paradoxical than the disintegration of any other complex system. One by one, time loses its features and passes through the twilight from existence to nonexistence.
The first to go might be its unidirectionality—its “arrow” pointing from past to future. Physicists have recognized since the mid-19th century that the arrow is a property not of time per se but of matter. Time is inherently bidirectional; the arrow we perceive is simply the natural degeneration of matter from order to chaos.
The bottom line is that physicists struggle with antinomy no less than philosophers have. The late John Archibald Wheeler, a pioneer of quantum gravity, wrote, “Einstein’s equation says ‘this is the end’ and physics says ‘there is no end.’ ” Faced with this dilemma, some people throw up their hands and conclude that science can never resolve whether time ends. For them, the boundaries of time are also the boundaries of reason and empirical observation. But others think the puzzle just requires some fresh thinking. “It is not outside the scope of physics,” says physicist Gary Horowitz of U.C. Santa Barbara. “Quantum gravity should be able to provide a definite answer.”
As physicists and philosophers struggle to grasp the end of time, many see parallels with the end of life. Just as life emerges out of lifeless molecules that organize themselves, time might emerge from some timeless stuff that brings itself to order [see “Is Time an Illusion?” by Craig Callender; Scientific American, June]. A temporal world is a highly structured one. Time tells us when events occur, for how long and in what order. Perhaps this structure was not imposed from the outside but arose from within. What can be made can be unmade. When the structure crumbles, time ends.
By this thinking, time’s demise is no more paradoxical than the disintegration of any other complex system. One by one, time loses its features and passes through the twilight from existence to nonexistence.
The first to go might be its unidirectionality—its “arrow” pointing from past to future. Physicists have recognized since the mid-19th century that the arrow is a property not of time per se but of matter. Time is inherently bidirectional; the arrow we perceive is simply the natural degeneration of matter from order to chaos, a syndrome that anyone who lives with pets or young children will recognize. (The original orderliness might owe itself to the geometric principles that McInnes conjectured.) If this trend keeps up, the universe will approach a state of equilibrium, or “heat death,” in which it cannot get possibly get any messier. Individual particles will continue to reshuffle themselves, but the universe as a whole will cease to change, any surviving clocks will jiggle in both directions and the future will become indistinguishable from the past [see “The Cosmic Origins of Time’s Arrow,” by Sean M. Carroll; Scientific American, June 2008]. A few physicists have speculated that the arrow might reverse, so that the universe sets about tidying itself up, but for mortal creatures whose very existence depends on a forward arrow of time, such a reversal would mark an end to time as surely as heat death would.
Losing Track of Time more recent research suggests that the arrow is not the only feature that time might lose as it suffers death by attrition. Another could be the concept of duration. Time as we know it comes in amounts: seconds, days, years. If it didn’t, we could tell that events occurred in chronological order but couldn’t tell how long they lasted. That scenario is what University of Oxford physicist Roger Penrose presents in a new book, Cycles of Time: An Extraordinary New View of the Universe.
Only a cyclical order can give us a beginning and end of time?
As per Wittigenstein’s Tractatus Logico-Philosophicus, it is clear that the combination of semantic objects (Life and Death) can only be present in the Null Set. Only in some hypostatic union both can be co-present? No object possesses the properties of Life and Death except in the liminal space.
The trajectories of both are divergent, only paradoxically they are juxaposed or said to intersect repetitively in a cyclic order, in the “circle of life” which many people refer to without seeing the irony that such a concept unifies death and life such that both identities become meaningless.
The relationship between the states 'life and death, whicxh we consider definitive of our existence is a paradox that we mistakenly regard as consistent. In such erroneous logic life and death are inextricable from one another such that they become meaninglessly unified in a recurrent, transcendent figure of existential frustration.
In such a construction of thought not only is Nothing “Something” it is “Everything” since its bounds form the limits of all our experience.
Death in life and Life in death implies that it is a repeatable action, by the same subject. However, no living thing can live or die twice.
Dying is just the biological expression of something that every physical thing in the universe does: The subject life is something that starts from nothing and goes over time from order back to nothing. Null or Chaos is the mythological definition, a “primordial state of uniform non-differentiation. Or if you don’t like nothingness, you become a part of everything in the universe.
There are two strategies available to a living thing: mortality and immortality.
So the question is " Does the way that language was structured have anything to do with the way we think, and if so how was it structured?”
Let’s start by examining the words Paradox & Paradigm which come into English from Greek.
Paradox: A statement or proposition that seems/is or signifies anything that is contradictory yet complimentary. Something that in nature/truth/reality, makes no sense. Polar opposites. A paradox is a thing, exhibiting a contradicting nature.
Paradigm: An example, serving as a pattern or model. A framework containing the basic assumptions, ways of thinking, and methodology that are commonly accepted by members of any field of study. A cognitive framework shared by members of any discipline or group.
Although I am not aware of these two terms being merged in the sense I am using, a plausible definition for paradoxical paradigm I would propose would go something like this: “Any set of assumptions constituting a way of interpreting reality that may seem self-contradictory, but which could express a possible truth.”“Paradoxical Paradigm”.
Paradox: A statement or proposition that seems self-contradictory or absurd, but in reality, expresses a possible truth. Any person, thing, or situation exhibiting an apparently self-contradicting nature.
Paradigm: An example, serving as a pattern or model. A framework containing the basic assumptions, ways of thinking, and methodology that are commonly accepted by members of any field of study. A cognitive framework shared by members of any discipline or group.
Although I am not aware of these two terms being merged in the sense I am using, a plausible definition for paradoxical paradigm I would propose would go something like this: “Any set of assumptions constituting a way of interpreting reality that may seem self-contradictory, but which could express a possible truth.”
" Paradox vs Juxtaposition"Paradox and juxtaposition are two figures of speech that involve two contradictory elements. Juxtaposing is a literary device in which two opposing or contrasting elements are placed side by side in order to highlight their similarities and differences. Paradox is a phrase or sentence where two contrasting ideas are used in order to reveal a hidden truth. Juxtaposition is a broad term and paradox can be viewed as a type of juxtaposition. This is the main difference between paradox and juxtaposition.
A Paradoxes occur as a result of the ambiguous nature of language arising from the interrelationships between all definitions of words. A paradox is a seemingly absurd or contradictory statement or proposition which when investigated may reveal a hidden or unexpected truth or prove to be well founded or true. In simple logic the reverse ordering of this statement also describes a paradox. For example, Dead things cannot be alive or living things cannot be dead.
Comments