THUS SPOKE HEPHAESTUS OF METALLIC FUSIBLE SALTS & SACRED FIRE
THE ORIGINAL PLACE OF KUBURU, THE SACRED FIRE BAKU, KU THE FIRE IN EARTH
THE ORIGINAL HYPOSTASIS OF THE SACRED ETERNAL FIRE.. Today's Baku Ateshgah was a pilgrimage and philosophical centre for Armenians, and Zoroastrians from Northwestern Indian Subcontinent, who were involved in trade with the Caspian area via the famous "Grand Trunk Road". The four holy elements of their belief were: ateshi (fire), badi (air), abi (water), and heki (earth).
Hephaestus (/hɪˈfiːstəs, həˈfɛstəs, hɪˈfɛstəs/; eight spellings; Greek: Ἥφαιστος Hēphaistos) is the Greek god of blacksmiths, metalworking, carpenters, craftsmen, artisans, sculptors, metallurgy, fire, and volcanoes.[1] Hephaestus' Roman equivalent is Vulcan. In Greek mythology, Hephaestus was the son of Zeus and Hera, the king and queen of the gods. In another version, he was Hera's parthenogenous child, rejected by his mother because of his deformity and thrown off Mount Olympus and down to earth. HEARTH more likely.
The origin of the name Hephaestus is probably associated with the Linear B (Mycenean Greek) inscription 𐀀𐀞𐀂𐀴𐀍, A-pa-i-ti-jo, found at Knossos; the inscription indirectly attests his worship at that time because it is believed that it reads the theophoric name Haphaistios or Haphaistion.
According to most versions, Hephaestus's consort is Aphrodite, who is unfaithful to Hephaestus with a number of gods and mortals, including Ares. However, in Book XVIII of Homer's Iliad, the consort of Hephaestus is a lesser Aphrodite, Charis ("the grace") or Aglaia ("the glorious") – the youngest of the Graces, as Hesiod calls her. On the island of Lemnos, Hephaestus' consort was the sea nymph Cabeiro, by whom he was the father of two metalworking gods named the Cabeiri. Kypri.
THE MINISTER OF PRIMORDIAL SACRED FIRE (LIGHT HEAT FIRE.) MASTER OF TERMINOLOGY/METALLURGY, Ki.
http://forum.alchemyforums.com/showthread.php?656-fixation-of-sea-salt-towards-the-P-stone
When we consider the salts of alchemy (hals cheumia - salt fusible) we have as primary subjects
nitre, sea salt, tartar, soda, lime...
Notice they are composed of two or more substances (the suffix -ate means there is oxygen in it as well):
nitre/saltpeter = potassium or sodium nitrate
sea salt = sodium chloride
tartar = potassium carbonate
soda = sodium carbonate
lime = calcium oxide
If we take off the second portion of these we are left with:
potassium, sodium, calcium.
Sodium and potassium are "alkali metals" while calcium is an "alkali earth metal".
We can add to these lithium and magnesium. Others are too rare to consider IMO.
Lithium can be had from brine. I assume you are already aware of conversations on magnesia.
ALL OF THESE ARE FUSIBLE SALTS/METALS!
SACRED FIRE FACT: A candle flame ranges from 600-1400C
The approximate melting points of these metals are:
Lithium - 180C
Sodium - 98C
Potassium - 63C
Calcium - 840C
Magnesium - 650C
The reduction of the salts 'towards' metals with greatly lowered melting points is what I wish to contemplate.
Salts are reduced by metals, such as magnesium metal
reducing sodium hydroxide to metallic sodium. Sometimes carbon is used as the reducer.
The Q/A is, could these metallic salts be what alchemists were referring to
when they spoke of metalloids, a stage between minerals and metals?
My focus is 'salt fusion'.
For starters we know we can create gold calx with alkali metals.
It is also possible to liberate sodium by reducing with lead under a vacuum.
This was certainly within the abilities of Hephaestus, the old master of the sacred fire. The 'stone' that was vomitted by saturn/lead. The stone was a substitute/scapegoat for jupiter, this looks to me like a reduction
Of course the only way they would have produced a vacuum would be with a column of mercury.
For more info go to http://forum.alchemyforums.com/archive/index.php/t-2650.html
THE ORIGINAL HYPOSTASIS OF THE SACRED ETERNAL FIRE.. Today's Baku Ateshgah was a pilgrimage and philosophical centre for Armenians, and Zoroastrians from Northwestern Indian Subcontinent, who were involved in trade with the Caspian area via the famous "Grand Trunk Road". The four holy elements of their belief were: ateshi (fire), badi (air), abi (water), and heki (earth).
Hephaestus (/hɪˈfiːstəs, həˈfɛstəs, hɪˈfɛstəs/; eight spellings; Greek: Ἥφαιστος Hēphaistos) is the Greek god of blacksmiths, metalworking, carpenters, craftsmen, artisans, sculptors, metallurgy, fire, and volcanoes.[1] Hephaestus' Roman equivalent is Vulcan. In Greek mythology, Hephaestus was the son of Zeus and Hera, the king and queen of the gods. In another version, he was Hera's parthenogenous child, rejected by his mother because of his deformity and thrown off Mount Olympus and down to earth. HEARTH more likely.
The origin of the name Hephaestus is probably associated with the Linear B (Mycenean Greek) inscription 𐀀𐀞𐀂𐀴𐀍, A-pa-i-ti-jo, found at Knossos; the inscription indirectly attests his worship at that time because it is believed that it reads the theophoric name Haphaistios or Haphaistion.
According to most versions, Hephaestus's consort is Aphrodite, who is unfaithful to Hephaestus with a number of gods and mortals, including Ares. However, in Book XVIII of Homer's Iliad, the consort of Hephaestus is a lesser Aphrodite, Charis ("the grace") or Aglaia ("the glorious") – the youngest of the Graces, as Hesiod calls her. On the island of Lemnos, Hephaestus' consort was the sea nymph Cabeiro, by whom he was the father of two metalworking gods named the Cabeiri. Kypri.
THE MINISTER OF PRIMORDIAL SACRED FIRE (LIGHT HEAT FIRE.) MASTER OF TERMINOLOGY/METALLURGY, Ki.
Gibil in Sumerian mythology is the god of fire, variously of the son of An and Ki, An and Shala or of Ishkur and Shala. He later developed into the Akkadian god Gerra. Gerra (also known as Girra) is the Babylonian and Akkadian god of fire, derived from the earlier Sumerian deity Gibil. He is the son of Anu and Antu.
In some versions of the Enûma Eliš Gibil is said to maintain the sharp point of weapons, have broad wisdom, and that his mind is "so vast that all the gods, all of them, cannot fathom it". Some versions state Gibil, as lord of the fire and the forge, also possesses wisdom of metallurgy.
The fixation of sea salt:
Girra was syncretised with the younger god Nuska, another deity of fire and light.
Girra and Nuska represented together the two aspects of the planet Mercury as morning and evening star, before Mercury was identified with Nabu alone (Lewy and Lewy 1948: 49). Unsurprisingly, Girra was also closely associated with Šamaš (see for example Abusch 2002: 140).
Nusku (Sumerian Nuska) is minister to the god Enlil, although he also appears as Enlil's son in some variant traditions. Nusku is associated with fire and light and played a role in protecting against evil. He was invoked as a protective guardian during the night, where he protected sleeping people, brought them good dreams and prevented nightmares (Foster 2005: 717-20). A lamp representing Nusku appears on a Neo-Assyrian protective amulet designed to guard against the evil baby-killing demon Lamaštu, who visited women during childbirth [Image 2]. The lamp is pictured in the patient's bedroom, symbolizing Nusku guarding the room during the night - when evil was thought more likely to attack (Wiggerman 2000).
Girra and Nuska represented together the two aspects of the planet Mercury as morning and evening star, before Mercury was identified with Nabu alone (Lewy and Lewy 1948: 49). Unsurprisingly, Girra was also closely associated with Šamaš (see for example Abusch 2002: 140).
Nusku (Sumerian Nuska) is minister to the god Enlil, although he also appears as Enlil's son in some variant traditions. Nusku is associated with fire and light and played a role in protecting against evil. He was invoked as a protective guardian during the night, where he protected sleeping people, brought them good dreams and prevented nightmares (Foster 2005: 717-20). A lamp representing Nusku appears on a Neo-Assyrian protective amulet designed to guard against the evil baby-killing demon Lamaštu, who visited women during childbirth [Image 2]. The lamp is pictured in the patient's bedroom, symbolizing Nusku guarding the room during the night - when evil was thought more likely to attack (Wiggerman 2000).
In the literary composition Enūma eliš TT , Girra (in the form Gibil) is listed as one of the fifty aspects of Marduk (see Tablet VII, line 115 in Foster 2005: 482)
Girra shared a temple with Nuska in Nippur, the é-me-lám-huš ("House of Awesome Radiance"). Textual evidence indicates that the symbol of Girra is the torch (see for example Šurpû, Tablet IX lines 107-118 in Conti 2000: 128-30). Virtually no iconographic depictions of Girra as personified deity have been identified up to date.
Girra shared a temple with Nuska in Nippur, the é-me-lám-huš ("House of Awesome Radiance"). Textual evidence indicates that the symbol of Girra is the torch (see for example Šurpû, Tablet IX lines 107-118 in Conti 2000: 128-30). Virtually no iconographic depictions of Girra as personified deity have been identified up to date.
Ki was the earth goddess in Sumerian mythology, chief consort of the sky god An. In some legends[citation needed] Ki and An were brother and sister, being the offspring of Anshar ("Sky Pivot") and Kishar ("Earth Pivot"), earlier personifications of heaven and earth.
By her consort Anu, Ki gave birth to the Anunnaki, the most prominent of these deities being Enlil, god of the air. According to legends, heaven and earth were once inseparable until Enlil was born; Enlil cleaved heaven and earth in two. An carried away heaven. Ki, in company with Enlil, took the earth.
Etymoogy: Cuneiform KI (Borger 2003 nr. 737; U+121A0 𒆠) is the sign for "earth". It is also read as GI5, GUNNI (=KI.NE) "hearth", the Sumerian cuneiform sign for "earth" KI 𒆠.
I posit that the consanant, phoneme Ki represents the essence of existence on earth. The Hearth is the fire in the material world, the alchemists salt of earth.
THE SYMBOL OF essence of EARTH, Ki, HEARTH KiNe is HEAVEN & HEARTH. KI Ss Re KISHAR is Earth Pivot.
Ki is an essence, a word roots are not themselves syllables or words, but instead are isolated sets of consonants (usually three, making a so-called triliteral root). Related words are composed out of triliteral roots by filling in the vowels between the root consonants (prefixes and suffixes are often added as well).
For example, in Arabic, the root meaning "write" has the form k-t-b. From this root, words are formed by filling in the vowels and sometimes adding additional consonants, e.g. كتاب kitāb "book", كتب kutub"books", كاتب kātib "writer", كتّاب kuttāb "writers", كتب kataba "he wrote", يكتب yaktubu "he writes", etc.
HEPHAESTUS automaton (/ɔːˈtɒmətən/; is a self-operating machine, or a predetermined controlled flow mechanism or mindset, designed to automatically follow a predetermined sequence (Seven steps of Alchemy the process) of operations, or assistants that respond to predetermined instructions. Some automata, such as a timer or bell strikers in mechanical clocks, designed to give the illusion to the casual observer that they are operating under their own power.
Hephaestus built automatons of metal to work for him. This included tripods that walked to and from Mount Olympus. He gave to the blinded Orion his apprentice Cedalion as a guide. In some versions of the myth,[15] Prometheus stole the fire that he gave to man from Hephaestus's forge. Hephaestus also created the gift that the gods gave to man, the woman Pandora and her pithos. Being a skilled blacksmith, Hephaestus created all the thrones in the Palace of Olympus.[13]
Etymoogy: Cuneiform KI (Borger 2003 nr. 737; U+121A0 𒆠) is the sign for "earth". It is also read as GI5, GUNNI (=KI.NE) "hearth", the Sumerian cuneiform sign for "earth" KI 𒆠.
I posit that the consanant, phoneme Ki represents the essence of existence on earth. The Hearth is the fire in the material world, the alchemists salt of earth.
THE SYMBOL OF essence of EARTH, Ki, HEARTH KiNe is HEAVEN & HEARTH. KI Ss Re KISHAR is Earth Pivot.Ki is an essence, a word roots are not themselves syllables or words, but instead are isolated sets of consonants (usually three, making a so-called triliteral root). Related words are composed out of triliteral roots by filling in the vowels between the root consonants (prefixes and suffixes are often added as well).
For example, in Arabic, the root meaning "write" has the form k-t-b. From this root, words are formed by filling in the vowels and sometimes adding additional consonants, e.g. كتاب kitāb "book", كتب kutub"books", كاتب kātib "writer", كتّاب kuttāb "writers", كتب kataba "he wrote", يكتب yaktubu "he writes", etc.
HEPHAESTUS automaton (/ɔːˈtɒmətən/; is a self-operating machine, or a predetermined controlled flow mechanism or mindset, designed to automatically follow a predetermined sequence (Seven steps of Alchemy the process) of operations, or assistants that respond to predetermined instructions. Some automata, such as a timer or bell strikers in mechanical clocks, designed to give the illusion to the casual observer that they are operating under their own power.
Hephaestus built automatons of metal to work for him. This included tripods that walked to and from Mount Olympus. He gave to the blinded Orion his apprentice Cedalion as a guide. In some versions of the myth,[15] Prometheus stole the fire that he gave to man from Hephaestus's forge. Hephaestus also created the gift that the gods gave to man, the woman Pandora and her pithos. Being a skilled blacksmith, Hephaestus created all the thrones in the Palace of Olympus.[13]
http://forum.alchemyforums.com/showthread.php?656-fixation-of-sea-salt-towards-the-P-stone
When we consider the salts of alchemy (hals cheumia - salt fusible) we have as primary subjects
nitre, sea salt, tartar, soda, lime...
Notice they are composed of two or more substances (the suffix -ate means there is oxygen in it as well):
nitre/saltpeter = potassium or sodium nitrate
sea salt = sodium chloride
tartar = potassium carbonate
soda = sodium carbonate
lime = calcium oxide
If we take off the second portion of these we are left with:
potassium, sodium, calcium.
Sodium and potassium are "alkali metals" while calcium is an "alkali earth metal".
We can add to these lithium and magnesium. Others are too rare to consider IMO.
Lithium can be had from brine. I assume you are already aware of conversations on magnesia.
ALL OF THESE ARE FUSIBLE SALTS/METALS!
SACRED FIRE FACT: A candle flame ranges from 600-1400C
The approximate melting points of these metals are:
Lithium - 180C
Sodium - 98C
Potassium - 63C
Calcium - 840C
Magnesium - 650C
The reduction of the salts 'towards' metals with greatly lowered melting points is what I wish to contemplate.
Salts are reduced by metals, such as magnesium metal
reducing sodium hydroxide to metallic sodium. Sometimes carbon is used as the reducer.
The Q/A is, could these metallic salts be what alchemists were referring to
when they spoke of metalloids, a stage between minerals and metals?
My focus is 'salt fusion'.
For starters we know we can create gold calx with alkali metals.
It is also possible to liberate sodium by reducing with lead under a vacuum.
This was certainly within the abilities of Hephaestus, the old master of the sacred fire. The 'stone' that was vomitted by saturn/lead. The stone was a substitute/scapegoat for jupiter, this looks to me like a reduction
Of course the only way they would have produced a vacuum would be with a column of mercury.
For more info go to http://forum.alchemyforums.com/archive/index.php/t-2650.html
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